Michaeline: New Reading! Penric 7, or: “The Orphans of Raspay”

Cover of The Orphans of Raspay with Penric kneeling in the hold of a ship with two girls regarding him with suspicion.

“The Orphans of Raspay”, a new novella by Lois McMaster Bujold in the Penric and Desdemona series, came out July 18, 2019. Image taken from Amazon.com.

A Review in Three Stages

If “The Orphans of Raspay” is your first Bujold: Penric is an archetypical hero, and sharing a mind with an entity is an old and wonderful trope; Lois McMaster Bujold does her trope-twisting magic with both. You won’t have any trouble following the story on this level. This is an exciting tale with a happy ending, and lots of things that go boom. Some people may feel leery about the fact that the Orphans could be sex-trafficked. I’m squeamish myself, but Lois has a light hand, and while I worry about the girls, I know they are going to be fine. The girls are really well done, too. So often, writers turn child-characters into plot moppets, or precocious brats. These kids are essential to the story, and they act like kids. If you like clever tales of adventure, this is well worth a few hours of time. Penric and his demon, Desdemona, are a great team!

For people who have read the Penric series, but not much else:
CAUTION: HERE BE SPOILERS FOR THE PREVIOUS NOVELLAS (maybe).

It’s another Penric and Desdemona! Fabulous!

Let me get the bad news out of the way first: Continue reading

Michaeline: Questions about Covers with Lois McMaster Bujold

 

e novella cover; Greek monastery, stormy sea and a ship

“The Prisoner of Limnos” came out October 27, 2017! The electrons are still piping hot! (Image by Ron Miller, courtesy of Lois McMaster Bujold)

Lois McMaster Bujold’s new Penric novella, “The Prisoner of Limnos”, came out just Friday, and we’re very pleased to bring you our interview with her about covers – a subject near and dear to our hearts, because every good book is in the need of a cover, eventually.

EMD: For the early Penric covers, I know you asked for fan input about the public domain pictures you used, and I believe you mentioned that your agency helped you with the typography. Before that, did you have much input in the covers of your traditionally published books? What was the most useful piece of advice you got when you were choosing your own covers for the e-publications? What kind of parameters did you use for choosing the public domain pictures? And can you share any websites you found helpful in your search for a cover?

LMB: My input on my traditional-publisher artwork has varied over the years, from none to intense. There seems to be no discernible relationship between the amount of my involvement and the results. I’ve had great covers with no involvement, disappointing covers with lots, and the other way around, apparently at random.

I don’t recall I had much advice when I embarked on doing e-covers years ago with The Spirit Ring. (That would have been back in late 2010.) My helper putting them together could at the time only work with one image, cropping but no photoshopping, so options were limited. I wanted to choose historical paintings for the fantasies, because not only could I see what I was getting, but they were already at a high level of artistic accomplishment. Bad photoshopping/image collage is much worse than none, amateurish and off-putting, and any hint of photography was very wrong for the fantasy mood. As we’ve worked together over the years, my e-wrangler and I have both grown better at sorting through the challenges.

The websites I found useful might Continue reading

Michaeline: New Penric! and Thoughts on Life-Long Love

A still life with two masks.

The fourth Penric novella by Lois McMaster Bujold is a delightful episode! (Image via Goodreads; cover design by Ron Miller)

So, first the most exciting news I had all week: Lois McMaster Bujold’s new Penric novella, Mira’s Last Dance came out this week (February 27th and 28th) on all the usual e-outlets! And it was fantastic! If you were left hanging a little bit by Penric’s Mission, then you’ll be pleased to hear that the story picks up from that point, and we get one lovely episode of courtship via political intrigue, escape and a brothel. That Penric is a delightful travelling companion, and I recommend the journey.

I’m not going to spoil you, though – Bujold reports that the novella is 28,000 words, which is perfect for a large pot of tea and an afternoon on the sofa. Spoil yourself.

What I am going to talk about is something that Mira said in the book. She’s the . . . well, the ghost/image of an Adrian courtesan who is part and parcel of the past lives that make up Desdemona. (Desdemona is the demon in Penric’s head.) She has a very clear and pragmatic view of sex and love, and mentions at one point,:

“The darling men used to imagine they’d fallen in love with me all the time. Most of them were actually in love with their own cocks.”

Ah, yes. And thus, genitalia doth betray us all. Continue reading

Michaeline: Lois McMaster Bujold Answers Three (Okay, Four) Questions about the Writing Process

penrics-mission-cover-2016-11-book-three-bujold

Today, we’ve got a short interview with Lois McMaster Bujold about the writing process. Just in time for National Novel Writing Month’s first weekend! Lois writes the thrilling tales of the Vorkosigan family, the Wide Green World, and the World of the Five Gods. This week, the third story about Penric in the W5G came out: Penric’s Mission was published on November 2, 2016. (Announcement on her Goodreads blog, here.) Lois is a master of speculative fiction, and her liberal use of romance in these genres makes her worlds rich and real. Grab a cyber beverage from the Eight Ladies Writing fridge, and pull up a seat!

MD: So, National Novel Writing Month is basically about creating a first draft of at least 50,000 words. What’s your favorite thing about writing the first draft?

LMB: Finishing it. (-:

Starting it runs a close second, true. Then, probably, those moments when a sticky knot gets suddenly undone by some neat idea or inspiration that I didn’t have — often couldn’t have had — earlier. Continue reading