Michaeline: Could This Be the Age of the Novella?

Seven short years ago, I worried a lot because I write short – my NaNos are almost never more than 40,000 words, which makes a decent novella (Science Fiction and Fantasy Writers of America defines a novella up for the Nebula Award as 17,500 to 39,999 words). But I hadn’t read many romance novellas, or even seen them promoted.

This year, they seem to be leaping up to be noticed. Romance author Stacey Shannon tweeted that she loves writing novellas in reply to former Carina Press executive editor Angela James’ tweet about loving to edit novellas.

Book Riot has a 2019 post recommending 28 romance novellas. If you look carefully at the covers, you’ll see a lot of them lack a publisher’s mark – I know at least some of these are self-published, while others have found homes with traditional publishers. Notice all the big names here, including some of my favorites like Courtney Milan and Jackie Lau. Continue reading

Michaeline: Lois McMaster Bujold and Three Questions about Writing “Penric’s Fox”

Exciting August news, all! Lois McMaster Bujold came out with a new Penric novella on August 8, 2017! Hang onto your time-travelling imagination caps: “Penric’s Fox” is actually book three, following “Penric and the Shaman” by about nine months, and before “Penric’s Mission” (NB: as of 2017 08 08. Your mileage and chronometer may vary).

"Penric's Fox" title cover with a castle, a fox and a ghostly young woman in elegant medieval robes.

“Penric’s Fox” follows further adventures of Learned Penric, court sorceror for the princess-archdivine. It’s about 37,400 words, so if you read “Penric’s Demon” and “Penric and the Shaman” as well, you’ll have a good chunk of fantasy to enjoy this weekend! Follow it up with the older Penric in “Penric’s Mission” and “Mira’s Last Dance”. (Image courtesy of Lois McMaster Bujold)

“Whaaa?” Not to worry — all the stories can stand on their own, and who is going to quibble when we have the chance to see Penric in action again?

So, go. Make a liter of  something seasonal and delicious, find your favorite reading pillow, and download the book. When you’re done, come back here and see what Lois has to say about the process of writing things.

EMD: I suppose the first question is why did you write a follow-up to “Penric and the Shaman” (the second Penric novella) and not a follow-up to “Mira’s Last Dance”? I mean, I’m grateful for whatever you’ve got, but it is a question that comes up.

LMB: This was the story that wanted to be written first. I am considering a follow-up to “Mira”, yes, but those ideas were not ripe at the beginning of this year (2017), and then the key idea that this story was awaiting suddenly slotted in, so.

The delay proved to be, as is often the case, good for the other set of ideas as well, as a few more have joined that collection since January that I could not have foreseen. For me, a story in the process of assembling itself is like a box of loose objects rattling around aimlessly, till some connecting idea drops in and things suddenly get interesting. (Note that some of those pieces may also prove to be wrong ones, like two jigsaw puzzles mixed together. Sorting those out can also take some time.) Trust me, stories only look inevitable in retrospect.

Some of the ideas for “Penric’s Fox” had been kicking around ever since I was developing backstory prior to starting what became “Penric’s Mission”, but they weren’t necessarily stories yet. The seven years I jumped over to get to Penric at age 30 were full of experiences that were important to him but not necessarily story-like, though I needed to know roughly what they were before I could write him at that later stage. It was basically the same sort of task as developing any new character’s backstory before starting them off on a tale for the first time, even though the reader will never see most of it.

I should also note that one of the developments in the tale came from watching the family of foxes that denned under my garden shed earlier this year, not something I could have anticipated. There’s nothing like Continue reading

Michaeline: Wedding Dance

a peasant wedding from 1566 with many people dancing and enjoying themselves, among other things

Some things don’t change. Fortunately, the fashion for wearing your best codpiece to the wedding does seem to be buried in the depths of time. (Image via Wikimedia Commons)

The cake has been cut and the booze has been flowing freely for about an hour when you look across the dance floor, and you see him. He was at your table, and sitting, he was a well-dressed nothing. But now, he’s dancing, and there’s something about the fluid motion of his arms, the way his kneebone connects to his thighbone, and oh lordy, will you look at his hips? You look away before your heart pops over your sweetheart neckline. You look back, and there he is, asking you to dance. You take his hand, and take your place in the crowd of people swaying and celebrating a new marriage. Welcome to the dance.

What can I say about the wedding dance as a writing prompt? It permeates most cultures, so we’ve all seen it, or can enjoy it on YouTube. When you see the same ritual conducted in so many different settings, it’s easy to imagine it conducted in more fantastic places. A historical Scottish penny wedding, as described on Jessamyn’s Regency Costume Companion website here. Or a frontier wedding dance on a newly settled planet. Or maybe a fantasy wedding in some delightful fairyland of your imagination.

And of course, what kind of story doesn’t have Things That Go Wrong? Continue reading

Nancy: Back to the Drawing Board (Novella Edition)

Woman With a Plan

I spent much of this past week planning. Planning my annual writing calendar. Planning time for writing, revising, and editing the many different stories I hope to write this year. Planning the historical romance novella series that is part of that annual writing plan. And that’s where I’ve hit a snag. In fact, I’ve hit a few snags and have had to go back to the drawing board.

 

Problem 1. Novella 1 (book 1 of the series) is too damn long. This issue isn’t too surprising to me, as this poor manuscript has had so many different identities, it just has no idea what it is or is supposed to be. It was a novella before it was a novel before it was a novella again before it was the first book of a series. Continue reading