Michaeline: Description, Part One

line-drawing of a horse in the Japanese style

A horse is a horse, of course. But how much detail do we really need to be able to see a horse? (Via Wikimedia Commons)

I am wrestling with description this week, and will probably be doing so for much of next month (and perhaps for the rest of my writing life).

Description boils down to the very simple fact that you have to get images out of your head, and transfer them into your readers’ heads. Some writers are quite particular about drawing word pictures, and they want the reader to see almost exactly what they see (a bit quixotic, if you ask me).

Others, on the other hand, concentrate on getting the images out of their own heads, purging them, if you will, by writing them. They may not care if the writer’s image and the reader’s image match exactly. They should care, however, about whether or not  Continue reading