We’re halfway through the month of October, which means there are just a few weeks left before NaNoWriMo kicks off on November 1. In order to prepare for what I hope will be a successful month of writing I’ve been doing a bit of prep-work these past few weeks.
As I mentioned in my first post in this series here, I began the countdown to November by working on the outline for the story I’m planning to write. As the outline developed, I found I needed to clarify the setting, in order to get a big picture view of how the story will progress. If you missed it, you can read that post, and the helpful suggestions from commenters, here.
With a general outline and the story setting(s) nailed down (kind of, sort of), I still have a pretty large gap that needs to be addressed before I start trying to put words on the page. I need to know who these people are who will inhabit the story. My heroine needs a hero. My antagonist needs a supporting cast. And I need to know who that random assortment of secondary characters is and what roles they are going to play.
Piece of cake, right?
Not surprisingly, this week my focus is on: Character Continue reading
I began the countdown to NaNoWriMo 2017 with last week’s post on outlining, which generated some good discussions amongst our commenters from both ends of the outlining continuum.
“More and more over the last few days I’m starting to think of outlining (at least the way I usually do it) as a first draft. It’s just lacking details.”
That makes sense to me. Whether your first pass through a new story is via an outline or via a purely “pantser” style process you’re just trying to tell yourself the story. However you start out you will (hopefully) wind up with a draft that you can then flesh out into a full-blown story.
The outline for my upcoming story currently looks a bit like a movie script. For each potential scene there are notes about location and timing, the characters who are involved, who “owns” the scene, and what the outcome of the scene will be. In some cases where I felt especially inspired, I even managed to capture a few lines of dialog or action that I thought of while sketching things out.
One thing that slowed me down a bit during the outlining process was not having the setting(s) for the story nailed down. I know where it starts and ends and have some ideas about the middle, but I definitely need to do some more work in that area.
Conveniently, this week my focus is on: Setting Continue reading
The kids are back in school, holiday merchandise is popping up at the local stores, and my heater at home came on for the first time this season.
Do you know what that means?
Right, National Novel Writing Month is almost here. For those of you who are not familiar with NaNoWriMo (NaNo for short), it’s a month where writers around the world do their best to get 1,667 words on the page every day in the month of November, resulting in a 50,000 word manuscript by December 1st.
It’s fun and exciting and motivating and challenging and, frankly, hard as all get out.
It’s also a great way to focus on a writing project and get some words on the page. Of course, not everyone has a creative muse who responds well to that kind of pressure, but as I found out in 2015, mine seems to be okay with the idea. Something about the accountability and not wanting to be left behind when others reach their target word counts is just the motivation I need to move from “thinking” about story to actually writing it down.
Last year was a bust, for reasons outside of my control, but I’m looking forward to November this time around (and not just because there will be Halloween candy right beforehand). I’ve already decided on the story I’ll be writing, a contemporary romance with the working title A Change of Heart. The story is the second book in the series that I started with my 2015 NaNo story, Second Chances.
In order give myself the best chance of success this time around I’m doing a fair amount of pre-work. It worked well for me in 2015, so it makes sense to do it again.
This week my focus is on: Outlining Continue reading
Today, we’ve got a short interview with Lois McMaster Bujold about the writing process. Just in time for National Novel Writing Month’s first weekend! Lois writes the thrilling tales of the Vorkosigan family, the Wide Green World, and the World of the Five Gods. This week, the third story about Penric in the W5G came out: Penric’s Mission was published on November 2, 2016. (Announcement on her Goodreads blog, here.) Lois is a master of speculative fiction, and her liberal use of romance in these genres makes her worlds rich and real. Grab a cyber beverage from the Eight Ladies Writing fridge, and pull up a seat!
MD: So, National Novel Writing Month is basically about creating a first draft of at least 50,000 words. What’s your favorite thing about writing the first draft?
LMB: Finishing it. (-:
Starting it runs a close second, true. Then, probably, those moments when a sticky knot gets suddenly undone by some neat idea or inspiration that I didn’t have — often couldn’t have had — earlier. Continue reading
As Michille mentioned in her recent post, the annual writing extravaganza known as NaNoWriMo is fast approaching; thirty days of writing 1,667 words along with the existing demands of everyday life.
Sounds fun, right?
As with other goals, a little up-front prep-work can make the difference between a successful finish (however you measure success) and an angst-ridden struggle. Or something like that.
Part of my pre-work has been getting the basics of my characters, conflict, and setting, nailed down so I have some idea of what I’m trying to write. An equally important part of my pre-work has been ensuring I’m mentally and physically ready to write. Continue reading
Eva Peron doesn’t look like an action hero with agency, but oh, how she hustled. She moved half a continent by the time she died. (Image via Wikimedia Commons)
This week, I’ve been plowing through snowstorms in the car while listening to the soundtrack of Andrew Lloyd Webber’s musical, Evita. It’s perfect music for when you are crawling along at 35 km per hour (what is that in miles? I’m not sure, but I’m afraid it’ll sound even more dreadfully slow). There’s a warm Latin beat, and the white-hot chronic anger of the heroine fueling various project. It makes me feel cozy in my little rolling deathtrap.
I don’t think anyone would deny that Evita works. According to the Internet Broadway Database, it’s been performed 1,567 times, and according to Wikipedia, it took award after award in 1978 and 1980. And I love it. But the heroine’s goal is a little fuzzy, and there isn’t a single overarching conflict lock that unites the story.
Evita is the story of a young Argentinian girl who goes to the capital at the age of fifteen, then proceeds to get modelling jobs, movie jobs, radio serials and finally the heart of a military man and through him, the reins to control the country. And then she dies, because . . . Continue reading
Story under construction! There’s a light at the end of the tunnel. (Photo by Nelson Alexandre Rocha via Wikimedia Commons)
I haven’t been reading much lately. It’s been busy at work, and I’ve allowed the computer to take over my free time, and then there’s this National Novel Writing Month thing, which I have been neglecting. Neglecting, but still allowing it to take over a lot of my brain space and nervous energy. Seriously, it would be simpler and quicker if I’d stop worrying and just sit down and get a word count in, but for some reason, I think I’m too tired for it. And instead of going to bed like a reasonable adult, I watch just one little short YouTube, and wind up turning the light off far later than I’d planned. It’s a vicious cycle.
A simple piece of advice: don’t search Tim Minchin on YouTube this month, if you want to stick to “just one little short one.” Just don’t. He’s long, and funny, and filthy and you’ll either be flipping through his whole catalogue, or you’ll be too angry to sleep.
I think one of the reasons week two is traditionally the toughest week of NaNo is the same reason I hate Tuesday. You know, the first part was fun. Getting to know the characters, adding new writing buddies, being freshly passionate and promising to write the hell out of this month . . . . . Now that I think about it, February has the same problem. After the resolutions and the mad dash of the first week of January, we’re just blah and tired and not quite sure if it was all a good idea or not.
Well, Chris Baty tells us in his book, No Plot? No Problem that week three will be better, if Continue reading