Michaeline: Writing with The Fool and The Magician

A court fool; a cat has dragged down his tights, and you can see the bottom of his buttocks.

The Fool (Image via Wikimedia Commons)

A bright, handsome magician at his table, ready for transformation.

The Magician (Image via Wikimedia Commons)

The first major rule of writing with tarot cards is: don’t believe everything that comes up will come to pass.

So silly really, and I must lead with the disclaimer that I don’t really believe in fortune-telling methods to predict the future. I do think these methods help us clarify our own thoughts about a situation, but nothing predicts the future.

So, when I gave my daughter a pack of cards and she wanted to read for me, it was extremely foolish to ask, “How will my current story affect my future?” Honestly, this sort of question really does nothing for a person – if the answer is positive, one can start to coast and not do the necessary work. If it is negative, well, then it can become a self-fulfilling prophecy. And I have to say, the tarot is often not very kind about my writing aspirations.

But no. I thought, “This time, the tarot will love me. This time, it will tell me how good it’s going to be.” Really, anyone who has any acquaintance with Lady Luck knows how stupid that is.

New pack of cards; first reading. Never cleansed – but should that make a difference? I don’t think it should! My daughter spread the cards on the floor and mixed them around with both hands, then gathered them up and asked me to cut the cards. I did.

I don’t remember the exact details. I should have Continue reading

Michaeline: NaNo Special: Chapter Transitions

People who read Lois McMaster Bujold’s new novella, “The Prisoner of Limnos” in the first 24 hours of release got  bit of a shock when Lois announced on her blog that the early edition had somehow dropped the last lines of several chapters. (Links at the end; WordPress isn’t in a sharing mood today.)

As students of writing, we’re taught that these last lines are of extreme importance. Story, by Robert McKee, talks about how a scene can change the whole situation from a plus to a minus, or vice versa – and sometimes, it’s that last line in a scene or chapter that gives the final twist. Self-Editing for Fiction Writers by Renni Browne and Dave King also places importance on the final words of any scene. Compared to painters, we writers have it a little bit easier – we can put on as many finishing touches as we like, and all of them can be take-backs or do-overs with a simple application of the delete key or strike-out. In the editing stage, we decide, and the reader never has to know the anguish we put into those decisions to keep or to leave.

Given the importance of the endings, what’s shocking to me is that as an early reader of “The Prisoner of Limnos”, I only noticed one chopped-off ending. If endings are so important, what was going on here? I had had a great experience with the book as-is; had I missed an even greater book because the ending lines had been dropped?

Well, I’m happy to report my second reading was as rewarding as the first, even though I had to stop (!) and think (!) instead of ride the wave of story. From now on, we’re heading into spoiler territory, so if you haven’t read the Penric novellas, I highly recommend that you do, and come back. They are all fixed now, and you can update the old ones. (See second link below.)

In general, Lois’s last lines add Continue reading