I made it to my mostly annual homage to RWA for a hefty shot of fiction-writing craft. I, however, made it late as my flight was delayed for three hours. (Note to self – come a day early next year.) I missed the session I really wanted to hit today (Writing Emotion: Opening a Vein with Virginia Kantra) which was a double whammy because it isn’t a recorded session. But my first and only session for today was worth the price of admission. Michael Hauge’s Seducing Your Readers in Chapter 1 was exactly what I needed in the here and now for two reasons. The big reason is that I’m rewriting my first manuscript, which sucks because I wrote it before I had taken any craft classes. The bones are good, but it needs work and I’ve been working on the opening with some success. Today’s session gave me fabulous ideas and motivation and confirmation that I’m on the right track. Woot! The second smaller reason is that I’m reading an old Christina Dodd, and when I came back to the room tonight for some much needed down time (this conference is extremely intense), I picked it up and found a passage that is a good example of one of the things Hauge talked about. Continue reading
Welcome to Part 3 of Fiction Fundamentals. When I approached the topic of writing great characters, I didn’t realize how much information you, New Writer, should know about what really makes them sizzle until I went back and looked at the pages of notes I’d collected and the long list of bookmarks in my browser. I’ve been absorbing this for over three years, between classes at McDaniel, blog posts I’ve read, conference lectures I’ve attended, and web classes I’ve taken.
Rather than write a 10K word blog post (because really, I could, there’s so much great info about writing good characters), I’m going to Continue reading