I’ll admit I was sorely tempted to skip posting this week and just binge-watch Hamilton, but since it made me cry every time I saw it live (and I did so several times) or listened to the soundtrack (which I did even more times), I decided to pause that thought and save those tears for another day.
I’m currently taking an online class sponsored by The Beau Monde, the Regency writer’s group that is (was?) part of RWA. The class, Critical Lens, is taught by LaQuette and aimed at those “interested in learning what constitutes positive representation and how we can respectfully depict communities we don’t belong to.”
One of the first topics addressed was “Marginalized Characters” and the session started with a simple description of a variety of characters. Some white some not. Some gay, some not. There were various professions, income levels, and housing choices. And a young white billionaire.
The exercise was simple: Which characters do you find believable (and why or why not)? Continue reading