Michaeline: Review of the new Bujold “Knife Children”!

(Note: no spoilers in the post, but there may be some in the comments. You’ve been warned.)

It’s been a bad few years for reading for me. First, I blamed it on my eyes, but now that I’ve had my reading glasses for a little over a year, I have come to realize it’s only partly about my eyes. Next, I blamed it on the internet – short, addictive bits of reading that reward almost instantly – and if they don’t, well, there’s another post or article to read. And hand-in-hand with the internet is the absolute drama of the past two years in the real world. Trump, Brexit, #MeToo – all that drama, all that conflict. Do I really need a real story when I’m sated with cat pictures on the one hand, and gutted by all the real world on the other?

It turns out, yes, a real story does hit the spot, and Lois McMaster Bujold published another e-novella in her Sharing Knife series on January 24, 2019.

 

"Knife Children" cover

A new book from Bujold! (Cover via Amazon.com)

“Knife Children” has that easy-going rhythm that is part and parcel of the Sharing Knife series. It touches on old Bujoldian themes such as taking responsibility, and the ever-present possibility of redemption. It also deals with the “one damn thing happens after another” aspect of life, and “go lightly over the rough ground”.

On the surface, “Knife Children” is Continue reading

Jilly: Bujold’s Sharing Knife Books, Old and New

I was super-excited to learn from Michaeline’s post a couple of weeks ago that Lois McMaster Bujold is to publish a new novella in her Sharing Knife universe. I’m a huge fan of the original tetralogy and somehow I never expected her to revisit this story world, so I feel a squee brewing. Yay! Fingers crossed!

The new novella, called Knife Children, should be published later this month. I see from LMB’s Goodreads blog (link here) that it can be read as a standalone, so if you’re tempted to take a look, don’t assume you have to read the original four books first.

That said, if you’re short of something to read right now, and you enjoy engaging, subtle fantasy stories, you could always try Beguilement, followed by Legacy, Passage, and Horizon. I usually revisit these books once or twice a year, so I’ve been enjoying a leisurely re-read this month while I wait for Knife Children.

I’ve also been pondering, not for the first time, exactly why these books fit so well with my personal id list—the tropes, characters, premises and details that I, as a reader, really, really like (click here to read more about id lists).

I’ll try to describe in a fairly generic, non-spoilery way what I enjoy most about the stories.

The books are set in an imaginary pre-industrial country that looks a lot like America. There are typical fantasy elements—romance, a hero with mage-like powers, scary mythical creatures, blood magic, powerful objects, horses-n-swords, success against overwhelming odds—but here the story is so grounded in normality that the fantastic aspects blend seamlessly with the familiar.

Right from the start of the book the hero and heroine’s romance is as inevitable as it appears improbable. Fawn is a dewy eighteen-year-old farmer’s daughter, two months pregnant after a disappointing tryst in a cornfield, who runs away from home rather than be branded a slut. Dag is a fiftysomething-year-old one-armed battle-scarred widower who has nothing left in life but thankless duty. From their first desperate encounter with one of the aforementioned scary creatures, Dag and Fawn rescue one another, and it rapidly becomes apparent to them (if not to anyone else) that their differences make them perfectly suited, empowering them both. Her common sense, logic, honesty and hungry curiosity challenge his idealism and stimulate his talent for innovation, leading him to develop all kinds of hitherto unsuspected abilities.

Continue reading