Building a book cover is a complex operation. Finding an image that conveys a suggestion of your plot as well as your book’s tone is difficult. Often several images are needed to get a background in, and depending on what your cover artist is willing to do, sometimes changing elements (like hair color) might not be possible. And then you have to hope that when your designer puts together the image(s) and type that they have the same vision you do.
This yellow cover for my book, Betting on Hope, was designed in 2011. I’ve always liked the image. The book takes place, as the cover shows, in Las Vegas. It’s a romance. It’s light-hearted—essentially a comedy—and while the book is not “about” card playing, poker is the story hook or perhaps theme by which I ramble on about found family and the strength of community.
So I like the expanse of yellow, which gets the mood and desert setting right; the insouciance of the figures; and the relegation of the small single playing card to the corner. I think the image is perfect. On the other hand, I’ve never liked the type treatment.
And that’s the result. Continue reading
From the Hot & Bothered podcast site
The first time I heard a feminist definition of a romance novel (female author writes a book celebrating values of love, compassion, community, and friendship, with a female protagonist who fights for what she wants and gets it), I was hooked. Those books were for me.
Can romance novels create a new feminist dynamic? I don’t know. But women and men read romances for the hope they offer, the comfort they give, and the values they aspire to. That’s good enough for me. And if they help create a new feminist dynamic, well, that’s just icing on the cake.
But there’s more! I recently read an article by Kimberly Winston in the Washington Post that suggests that religion can be reinvented through romance novels—that because of the themes and values romance novels showcase, they can be considered sacred texts. Holy bodice ripper, Batman! Continue reading
“So, you want me to conform? All right! I’ll conform! I’ll conform in a way you’ve never seen before! I’ll be the best damn conformer you’ve ever seen.” (Image via Wikimedia Commons)
Kay’s post this week has me thinking about The Right Thing To Do. She’s written a three-volume story about (amongst other things) the heroine resisting marriage, resisting marriage, and then finally succumbing to what is still a social ideal in our culture: the state of matrimony. In other words, conformity.
But from what Kay’s told us, her heroine is not going to conform in a completely socially approved way: wedding in Vegas with costumes and glitter. For Kay, the point isn’t the wedding. She’d like to skip writing about it and let the reader imagine the wedding.
But her beta readers are pressing her to conform. I, myself, talked about how a wedding is a very traditional ending to a series – a big set piece of glitz and love that rewards the reader with a big piece of wedding cake for putting up with all the trials and tribulations. So, Kay’s in a bit of a bind; in her gut, she wants the clean ending – a light smear of frosting. But many of us are pushing for flowers of marzipan and silver dragees. And Kay, at one point, said very simply and with great eloquence, “Crap.” Continue reading
Dear readers, I need your help again. I have finished book three of my interminable trilogy about Phoebe and her steadfast beau. Brimming with triumph, I showed the final two chapters to my critique group last night, and…they didn’t like it.
Here’s their problem. After three books of Phoebe’s not being ready to get married, now finally at the end of book three, she’s ready. Our hero has a Plan, and she says, surprise me.
The surprise is taking all the book’s characters back to Las Vegas, the city where they met, where they will be married in the wedding chapel by the people who first employed Phoebe when she arrived in Vegas at the start of book one. (Now they live in Washington, D.C.) The final scene of book three is everybody just boarded the plane, ready to rest up from the vigorous trials of the day before and me tying up loose ends. Continue reading
Image from altitude-games.com
This morning I read the news from the Ladies, some of which was about the work various members are putting into their self-publishing efforts. I always find this awesome. And then I pitched an editor and an agent.
One of the slogans we had in the McDaniel course was how there are many roads to Oz. At the time, we were talking about writing process, but I think it applies to publishing process, too. The hard, cold fact is that I like to write; I dislike to market. I want to write; I don’t want to sell. I’m disciplined about writing; I’m not disciplined about publicity. One important factor: I don’t need to sell books to support myself. Another important factor: I don’t see why I should spend my time doing what I dislike.
I’ve self-published most but not all of my books, which gives me “control” and of course, I’m not sitting around waiting for agents and editors to validate my work. Continue reading
Lumberjacks in Love (2008 production): Chase Stoeger, Doug Mancheski, Jeff Herbst, Jane McAnanney, Fred “Doc” Heide. Photographer: Len Villano
I’ve been on vacation to my home state of Wisconsin, and I spent almost a week in Door County, the area at the farthest end of the peninsula. It’s been a destination spot of locals for decades, thrilling the population with every form of cherries, cheese curds, ice cream, and beer, which everyone can wear off swimming and boating in the area’s waterways, as well as hiking through the county’s many parks and forests.
There is also a very fun musical theater group that performs in Peninsula State Park every summer.
Northern Sky Theater has written and produced at least one original play every year since 1988, and by now they have more than 50 plays in their repertoire. Continue reading
Regular readers of this blog will no doubt be aware that our Jeanne’s debut novel, The Demon Always Wins, is now available for preorder on Amazon and will be released for sale on 1 September. Squee!
Some of the 8 Ladies have been published before, so it’s not technically our first book, but it’s the one Jeanne was working on when we all first met (virtually) in class at McDaniel College. When she said it was a re-telling of the story of Job as a paranormal romantic comedy I remember thinking, “that’s interesting, and different.”
Because we spent a whole year in class talking about our stories and critiquing each other’s scenes, I think we all feel a certain sense of ownership of this book. We got to know Jeanne’s dark, snarky, funny voice. We saw her delete a fantastic opening scene only to replace it with one even better. We watched her polish her manuscript until it became a Golden Heart winner, and then take it up another level with the help of rigorous professional editing. Continue reading