I’ve spent quite a bit of time this week judging contest entries.
We’re talking genre fiction, not literary works. I’ve been judging as a reader. Clean, smooth prose is good, but it should be a delivery vehicle for strong storytelling.
Many of the pages I’ve read have been thrilling. The heroine has a strong, active role – she’s a bodyguard, or a firefighter, or sniper, or a PI, or whatever. The world-building has on the whole been convincing and the writing sound.
So it pains me to say I would not have bought any of the stories I read, nor even bothered to read on if the author had given them to me gratis.
The problem, I think, was that not one of these strong, active heroines had a goal. They had expertise, they were parachuted into action-packed scenes, and they responded as they had been trained to do. They saved themselves, children, cute puppies and even hunky heroes. Things happened to them, and they reacted. Boom! Pow! Continue reading
I finally finished my last round of contest judging for this year. Not before time 🙂
I try to give all entries two or three reads and offer honest, constructive, actionable feedback. It’s time-consuming but from a purely selfish perspective it’s worth the effort. I learn something valuable every time. Last year I read a couple of outstanding entries. I posted about that recently (Storyteller v Smooth Writer).
This year I’ve read a lot of competent writing, grammatically correct, properly punctuated, with interesting characters and an intriguing premise. I don’t think I’ve read a single story that would tempt me to keep reading by the end of the pages, let alone a book that I’d shell out money for.
I’m planning to spend today judging romance writing contest entries. It’s time-consuming and headache-inducing, but over the last couple of years I’ve discovered that analyzing other unpublished writers’ work is a great way to improve my own.
I guesstimate that on average it takes me about three or four hours per entry from first read to submission of score-sheet. Multiply that by four or five manuscripts, and you’re talking about a serious investment of time. It’s relatively quick, and usually great fun, to read an entry and reach a first impression. Are the scenes well-written? Do I care about the characters? Would I read on? It’s much harder to pinpoint what it is about the writing that makes me feel that way, and harder still to find the right words to give that feedback to the author in an honest, courteous and professional manner.
The last time I judged this particular contest I was lucky enough to read two very good entries back-to-back that made me think hard about Continue reading