Michaeline: Virtual Fun, Australian RRA style!

 

RKO radio pictures logo with a radio antennae on top of the globe

Calling out, around the world! Romance readers, here’s a special bulletin for you! (Image via Wikimedia Commons)

Just a quick update on Elizabeth’s post on July 22, 2020. The Australian Romance Readers Association’s virtual weekend has begun! Their A Romantic Rendezvous: Locked Down began releasing interviews on YouTube this morning, and by the time people in Europe and North America wake up, there should be almost a day’s worth of fun stuff up!

I spent a half hour watching the Jennifer Crusie interview; it was my first time to see her in live action! She’s just as I imagined she would be: articulate and full of good humor.

I’m tempted to spoil it and tell you what was in the interview! She talks about using collage to create characters, and why she doesn’t like to base a character on a real person. She tells us what books she’d recommend to someone new to her catalog. She adds her theory of humor. She tells us her best reader feedback, and then the conversation winds up with book talk, of authors living and dead that she likes.

I’m making the comments a spoiler zone; if you haven’t seen the interview, you might want to bookmark this to read the comments later. Please feel free to discuss and fan-squee! I’ll be checking back through the weekend (Saturday, Sunday and Monday for me).

There are a few other ARRLD events that I’ve got marked on my calendar for this weekend, but the wonderful thing is that it’s all on YouTube, so you can enjoy them any time, on your own schedule. (I’m just lucky that Australia is only one hour different for me – LOL, first time I’ve ever been first on a video.)


Jilly: Planning for the Zombie Apocalypse

Have you been reading (or watching) much fiction over the last few weeks? What kind of stories did you choose?

I spent the first week of my enforced homestay on the sofa, re-reading Jenny Crusie. I picked Agnes and the Hitman, followed by Fast Women. Angry heroines, laconic heroes with just the right skill-set, a dazzling array of secondary characters, terrific dialogue, and murder. Just what I wanted. No softness, lots of snark and action. Edgy stories tinged with darkness and humor, and a heroine with agency who fights her way to a happy ending, for herself and everyone she cares about. Very cathartic.

Then last week, between obsessively reading the news and completing a fiendishly tricky jigsaw puzzle with an underwater fantasy scene featuring strange fish, steampunk machines, grandiose ruins and Pre-Raphaelite mermaids, I revisited MR Carey’s The Girl With All The Gifts. Continue reading

Nancy: What Gets You Out of Bed in the Morning?

Years ago, when I was in my previous life and profession and was using a white board for something other than character arcs and plot progressions, I kept a question on my board at work. It was, “What keeps you up at night?” This is a question used in sales in marketing to remind sellers to think about what the customer wants/needs/stresses about, NOT about the widget or service we want to sell.

Then about five years ago, I read an article that argued (rather convincingly) that we should stop asking what keeps our customers up at night, and start asking, “What gets you out of bed in the morning?” Do you see the shift from negative to positive? I brought that to the teams I managed with the goal of writing our business proposals with a different spin. We still needed to write about knowing the customer’s pain and how to solve it. But I started pestering my teams (and the business development execs who interacted with the customers) to learn about customer’s bigger-picture visions. I wanted to expand our message to say, “We support solutions, but also aspirations.”

By now you’re wondering, WTH does this have to do with fiction writing? I’m so glad you asked! Continue reading

Nancy: Goals and Conflict, aka Everything Old Is New Again

This might or might not be an accurate depiction of me upon realizing I’ve done it again.

 

I like to say that I can be taught. That I can learn from my mistakes. That writing, like life, is a process, and part of that process is continuous improvement. Yes, I like to say I’m getting better, but then I do things that make a liar out of me.

Case in point: I’ve been working on the next book in the Harrow’s Finest Five series, Three Husbands and a Lover, for those of you keeping track at home. This is Percy’s story (Captain Lord Granville), who is the group cut-up, thrill-seeker, and all around flirtatious cad. But I knew, from the inception of the series, that all his light frivolity was hiding a dark inner life. This is crunchy stuff, the kind a writer likes to sink her teeth into. But it took a few bites for me to get there.

In the pre-discovery phase of the book, which is when characters with some vague motivations, snippets of conversations, and partial scenes float around in brain, untethered from each other and any kind of story logic, this was a very different story from what it is today. And that’s fine. That’s why I do discovery work – to excavate and sift and reveal a few tiny gold nuggets per metric ton of crap.

Turns out our heroine, Finola, had a goal in the initial story iteration. It was a good, strong, “close-your-eyes-and-you-can-see-it” goal. But it didn’t have anything to do with Percy, who didn’t yet have a raison d’être of his own beyond “get Finola in bed.” Continue reading

Nancy: The Fine Art of Receiving a Critique

Last week, Jeanne discussed critiquing manuscripts for newbie writers, and yesterday Justine talked about revising (and revising, and revising!) the opening chapters of the first book in her historical romance series. With both of these posts on my mind and no less than three (three!) revisions of my own to complete, from minor tweaks in one story to major revisions in another to something in between on the third, today I’m thinking about the best way to bridge the gap between getting back comments from a trusted critiquer and putting a revision plan into action.

We’ve discussed a lot of the steps I’m going to suggest here at 8LW in the past, and much of the way the Ladies approach critique work is based on the guidance Jenny Crusie* gave us while we studied with her in our McDaniel writing program. But with so many of us knee deep (or eyeballs deep) in the critique and revision process, let’s revisit some of the basics, ICYMI (or ICYNAR – in case you need a refresher). Continue reading

Elizabeth: What’s Your Alligator?

As you’ve undoubtedly noticed, it’s the beginning of a whole new year.  As is traditional, we’ve been talking here on the blog about our plans for the new year – whether they involve rigorous SMART goals or the more inspirational Word-of-the-Year.

For those who have been reading along, my 2019 word is Happy, which so far has meant Sunday mornings snuggled under cozy flannel sheets, afternoons curled up with coffee and a favorite book and, much to my surprise, putting about 5,000 new words on the page.

Well that was unexpected! (Not that I’m complaining.)

At Ye Olde Day Job, this time of year is both a time for nailing down yearly goals with their detailed measurement criteria as well as a time to indulge in the latest training to “be more positive!”, “increase productivity!”, “work smarter, not harder!” and the like.

Whether it’s “Eat That Cookie” positivity training; “Eat the Frog” productivity training, or “One Minute Meditation” stress-reduction training, every year seems to bring a new method with its associated book.  I’m not sure how much positive benefit we actually see from the exercises, but at least the authors of those books are benefiting. Continue reading

Michaeline: New Stories from Bujold and Crusie!

A lady reading at a desk in her bedroom. She's wearing a warm robe.

It’s going to be a good year for reading! (Image via Wikimedia Commons)

Since Christmas, I’ve been on internet half-rations – I’ve only checked the news, the blog and some YouTube. Yesterday was my first day back, visiting my usual haunts, and boy, the stuff I missed! (Trigger warning: FOMO!)

On December 25, 2018, Lois McMaster Bujold announced a new novella on her Goodreads blog! The story, set in her Americana Wide Green World universe, features Lily and Barr. She says it will be a stand-alone, but since she’s aiming to self-publish the story in “late January”, there’s time for long-time fans to have a leisurely re-read of the four Sharing Knife novels (starting with Beguilement; link to Amazon here). Whoo-hoo!

And on January 1, 2019, Jennifer Crusie wrote on her blog, Argh Ink, “Happy 2019, everybody. I’m gonna finish a book this year.” Well, a happy new year to all of us fans, too! I’ve been following the book-in-progress on her blog from its conception, and the first act promises a lot of fun: demons, cops, murder mystery, romance and some really excellent vicarious diner food. The Nick-and-Nita book may not be out in 2019, but at least it’s almost out of Jenny’s hands – she has excellent taste, and I think the biggest barrier to more Crusie out in the wild is that she doesn’t let ‘em go until she’s reached a point of satisfaction. It’s probably for the best. We fans are voracious, and the most frequent response to a new story is “more please”, which is simply not sustainable. At any rate, in a few weeks (according to an ETA on Jan. 4), it’ll be in her editor’s hands.

What a convergence of the stars! My two favorite living writers are going to release new stories! And I know a lot of my favorite bloggers (right here on Eight Ladies Writing) are also going to release new stories in 2019! (Please comment, Ladies!) And of course, keep an eye on the Friday writing sprints here on 8LW. Our readers are welcome to play, and of course, our Eight Ladies often put up a short, sweet nugget of fictional delight. Are there any new stories that you are keeping your eye on?

It’s going to be a good year for reading, y’all! Get your reading glasses polished!

Michaeline: Three Questions for Jeanne Oates Estridge about her professional debut!

snake winding its way around a practical female hand holding an apple

The Demon Always Wins (image via Amazon)

Today marks a red letter day for us: not only is our blog celebrating five years of existence, but one of our Ladies is publishing her first book today. Jeanne Oates Estridge started The Demon Always Wins in May 2012 in response to the popular Twilight series.

I got to read an early version of it in the McDaniel course for romance writing during the 2012 school year, but lots of people have seen the book in progress. Jeanne mentions her long-time critique group, as well as a group of writers known as The Cool Kids that she met at the Midwest Writers Workshop, members of a one-day workshop in Indianapolis with Lucrecia Guerrero, several of the Eight Ladies and a handful of beta readers. Whew! It takes a village, doesn’t it?

The book was a finalist in all of the five contests Jeanne entered it in, and won the 2015 Romance Writers of America Golden Heart award in the paranormal romance category with an earlier incarnation called Demons Don’t. The sequel, The Demon’s in the Details, was also a finalist in the 2018 paranormal romance category of the Golden Heart. Another version of The Demon Always Wins won first place in the paranormal/SF/fantasy category of the 2015 Diamonds in the Desert contest under the name of Demon’s Wager.

Having read the latest version, I can tell you the book has evolved from good to great over the years – the words are different, but they stay true to the underlying story. But enough from me. Let’s ask Jeanne a few questions!

8LW: We did the McDaniel course for romance writing together in 2012-2013, instructed by best-selling romance writer Jennifer Crusie. What lesson from the class had the most impact on your final book? Continue reading

Michaeline: The Benefits of Goofing Off on the Internet

A woman with a pen in her hand contemplating a blank sheet of paper.

Think, think, think. (Image via Wikimedia Commons)

So, long story short: my friend and I were texting this morning about various womanly complaints, and she said Amazon has now got a sparkly menstrual cup on offer. It’s the kind of idea that hits you in the middle of the forehead with a solid slug of “Why?” and then slaps you on the back of the head with a good, “Why not?” The things are becoming more popular, and I suppose there’s now a market for sparkly menstrual cups. (Note: I can’t actually find such a thing on Amazon now, but now that it’s out there, it seems like it should be an idea.)

But of course, this reminded me of the Glittery Hoo-Ha, and Jennifer Crusie’s post about it. HER friend, Lani Diane Rich (aka Lucy March and other names) had brought up with half-serious literary theory about why the hero loves the heroine and only her – even though she is a diamond in the rough, or in this case, even though he’s a man who enjoys women and enjoys have sex with many, many women.

You’ll have to read it, and the comments (and the second page of comments when there so many that the blog broke), but the gist is that once he has dipped his wick in her glittery hoo-ha, no other hoo-ha will do for him. He’s in love, and ready to be faithful.

This random summer surfing came at a great time: I’ve got some empty hours coming up this week, and I’ve been thinking about the multiple problems of my work in progress (WIP). Right now, the conflict box is pretty weak. (Conflict box a mystery? Let’s raid Jenny’s blog again, with a fabulous explanation of Michael Hauge’s conflict box here.) My heroine’s goal is Continue reading

Michaeline: Questions about Covers with Lois McMaster Bujold

 

e novella cover; Greek monastery, stormy sea and a ship

“The Prisoner of Limnos” came out October 27, 2017! The electrons are still piping hot! (Image by Ron Miller, courtesy of Lois McMaster Bujold)

Lois McMaster Bujold’s new Penric novella, “The Prisoner of Limnos”, came out just Friday, and we’re very pleased to bring you our interview with her about covers – a subject near and dear to our hearts, because every good book is in the need of a cover, eventually.

EMD: For the early Penric covers, I know you asked for fan input about the public domain pictures you used, and I believe you mentioned that your agency helped you with the typography. Before that, did you have much input in the covers of your traditionally published books? What was the most useful piece of advice you got when you were choosing your own covers for the e-publications? What kind of parameters did you use for choosing the public domain pictures? And can you share any websites you found helpful in your search for a cover?

LMB: My input on my traditional-publisher artwork has varied over the years, from none to intense. There seems to be no discernible relationship between the amount of my involvement and the results. I’ve had great covers with no involvement, disappointing covers with lots, and the other way around, apparently at random.

I don’t recall I had much advice when I embarked on doing e-covers years ago with The Spirit Ring. (That would have been back in late 2010.) My helper putting them together could at the time only work with one image, cropping but no photoshopping, so options were limited. I wanted to choose historical paintings for the fantasies, because not only could I see what I was getting, but they were already at a high level of artistic accomplishment. Bad photoshopping/image collage is much worse than none, amateurish and off-putting, and any hint of photography was very wrong for the fantasy mood. As we’ve worked together over the years, my e-wrangler and I have both grown better at sorting through the challenges.

The websites I found useful might Continue reading