Last week, Jeanne shared news of The Demon Always Wins finaling in two contests! I’m excited to announce that the first book in my HFF series, Too Clever by Half, is a finalist in one of those contests, GDRWA Booksellers’ Best Contest, in the novella category!
This came on the heels of a very good sales week in the beginning of May, when I offered Too Clever for free and the next book in the series, One Kiss from Ruin, at a discounted price. The promotion put Too Clever at #1 in a few Amazon categories for approximately three days, which meant thousands of downloads (and page reads in Kindle Unlimited, which are continuing). It raised series visibility, drove some traffic to my newsletter, and actually made some money (because of much higher than usual book sales on One Kiss).
All in all, my little series-launching novella has had a good month. It’s especially gratifying because a year and a half ago, I wasn’t sure I would be able to turn the early draft of the manuscript into a readable book. I didn’t make the contest rounds with the story because, frankly, it just wouldn’t have done well. My beta readers were a godsend, pinpointing the issues, which included a hero who didn’t have much motivation for what he wanted (to win the Duke’s Trust prize to fund Harrow School scholarships), and a heroine who started out pretty self-involved and didn’t arc throughout the course of the story. While such character issues would be problematic for any fiction genre, they are absolute deal-breakers for one as character-centric as romance. Continue reading
A few weeks ago, I told you about the steady progress I’ve been making on my WIPs by working to a 20-page-per-week commitment with my writing coach. That’s approximately 6,000 new words per week. At that pace, I’d be able to write a 25K story in 4-5 weeks.
So now let me tell you about the 25K story it took me 2 years to write.
OK, I’m being a bit melodramatic. I didn’t take me 2 years to get through the new pages of the first draft. That took a few months, then the story went to critique readers who (rightfully) had some problems with the story. Then there were the inevitable months of compiling critique comments, formulating a revision plan, going back to the story drawing board, drinking before 4 PM, and reconsidering my poor life choices. And then I walked away from the story for a year.
Not to worry! I was not defeated, and the story wasn’t abandoned. I just needed to take a break. See other stories. Decide what I really wanted out of that novella. The answer was, a lot, and that’s why my time away from it was so important for fixing the story. My critique readers could give you lots of details about what was wrong with this book, like a heroine who was rather selfish, an out-of-the-blue physical encounter that would be a tough sell in a contemporary, let alone an historical, and that perennial first-draft favorite – wishy-washy goals.
But pulling back from all of that to take an big-picture view of my novella, I realized I’d written it too soon. It was under-proofed, under-baked, and just not ready for prime (or even critique) time. So how did I make such a mess of it? Oh, let us count the ways. Continue reading