Michaeline’s post yesterday (Story Bites for When You Just Can’t) was exactly what I needed. I’m tantalizingly close to the end of my draft, and I know what I need to do, but this last handful of scenes is driving me bananas.
I’m not the fastest writer, but once I’ve figured out what’s supposed to happen in a scene, I can normally nail a decent draft in a day or two. Right now, each one is taking me a week or more: write, delete, rinse and repeat.
My problem is that all the key players are coming together and the stakes are high. In my head the scenes are great, but capturing that intensity on the page is hard. My lack of progress has been making me very cranky indeed, so I thought I’d take Micki’s advice and see if approaching the problem from a different angle would boost my spirits and improve my productivity.
I already have a playlist and a collage for Alexis, so I decided to try something different and write a haiku for each main character at this critical stage of the story.
I’m no expert on haiku, but what I know is this: they should be three lines long, comprising seventeen syllables in a five-seven-five pattern. And ideally they should provide an insight by juxtaposing two contrasting—or conflicting—ideas.
That sounds like the perfect structure for a brief story shot that aims to capture the essence of the character and their conflict.
I’m pleased to report that Continue reading