I treated myself to a book binge last Sunday. I chose carefully, but my day of self-indulgence did not begin well: neither of the first two books I read hit the spot. In the first I liked the main characters but the plot resolution was weird; in the second I liked the worldbuilding but the characters lacked depth. Fortunately I saved the best for last. Grace Draven’s novella Gaslight Hades rescued my readathon.
The story is a steampunky second chance romance with a difference, and at 39k words it’s compact enough to read in a sitting, but long enough to avoid that rushed plot feeling you sometimes get with shorter novellas.
Here’s the official blurb:
Nathaniel Gordon walks two worlds—that of the living and the dead. Barely human, he’s earned the reputation of a Bonekeeper, the scourge of grave robbers. He believes his old life over, until one dreary burial he meets the woman he once loved and almost married.
Lenore Kenward stands at her father’s grave, begging the protection of the mysterious guardian, not knowing he is her lost love. Resolved to keep his distance, Nathaniel is forced to abandon his plan and accompany Lenore on a journey into the mouth of Hell where sea meets sky, and the abominations that exist beyond its barrier wait to destroy them.
I really enjoyed this story, and here’s why: Continue reading
How many authors are on your mental auto-buy checklist? How many are on your keeper shelf? And how long have those authors been at the heart of your reading universe?
I’ve been noodling around with these questions for some time—a couple of years, probably—ever since I first read about Dunbar’s Number. If you’re not familiar with the concept, Wikipedia describes it as a suggested cognitive limit to the number of people with whom one can maintain stable social relationships. Or, to put it crudely: there’s a limit to the number of people your brain has space for.
Dunbar’s Number has been around since the 1990s, but I came across it when I started writing fiction with an eye to publication and realized that meant I’d have to get to grips with social media. If you’d like to know more about the idea in the context of online relationships, click here for a Youtube link to anthropologist Robin Dunbar’s 15-minute Tedx talk: Can The Internet Buy You More Friends?
If you’d prefer the short version, it goes something like this: we humans maintain social relationships at various levels of intimacy, and the number of people we have the capacity to manage at each level is more or less predictable.
- We have a very inner core of intimate friends and relations, people we would turn to in times of deep emotional stress. Typically there are about five of them.
- We have a group of best friends, people we know well, confide in, trust, spend time with. That group would likely be about fifteen people, including the inner five.
- The next closest layer, good friends, would be about fifty people (including the first fifteen);
What have you done to recharge your batteries/top up your creative well this week? I’ve spent most of the last three days with my nose in a book (well, pressed against a Kindle.) It’s been wonderful.
I had great plans to read and recharge over the holidays. That didn’t happen, because I used all my spare time to work on my Golden Heart entry. I wrote a new opening scene—it took multiple attempts before I finally found one I liked. I figured out an opening sentence that made promises about the story instead of just plunging into the action. I filled in plot holes. I checked the etymology of every significant word to make sure it was appropriate to my world. I tailored my metaphors. I wrote a new synopsis that reflected Alexis and Kierce’s relationship arc instead of wandering off into the mystery sub-plot. And then—yay!—this week, I uploaded the lot to the RWA website.
I have a lot of work left to do on this story, but I needed a breather so I decided to treat myself to the book binge I didn’t get in December.
Would you buy a book (or at least give it a second look) because it has a great cover?
I buy my books based on recommendations and reviews, and in the past I’ve never paid much attention to the packaging, especially as I know that often traditionally published authors don’t have much say over their covers. They’re the publisher’s responsibility, designed by the marketing department to sell as many books as possible, and sometimes they aren’t a perfect reflection of the story inside.