The birds are singing, the sap is rising, and we’ve been talking a lot here on the blog about writing great sex scenes.
Kay started the party by sharing her battle to reward her long-suffering hero and heroine with a gold-plated, caviar-coated, champagne-drenched, Lamborghini-driving, high-quality, meaningful one-on-one. Last Saturday Michaeline shared her thoughts on the sex scenes in Charmed and Dangerous, an anthology of short gay fantasy stories, and yesterday she told us about a pair of happy couplings she decided not to write. In between, Nancy gave us five points to ponder about writing sex in the romance genre.
I’d like to drop another suggestion into the mix.
Where do you stand on intelligent, well-written historical romance?
By the time you read this, Justine’s UK research trip should be well under way. If things go to plan, we’ll have spent Friday in Brighton exploring the Royal Pavilion and other Regency landmarks with 8LW friend Rachel Beecroft, and Saturday investigating the narrow streets and smugglers’ haunts of the ancient Cinque Port of Rye. Today? If it’s Sunday, it must be Dover!
Justine will be following in the footsteps of a generation of US historical romance authors, walking the terrain of Kent and Sussex to soak in a million tiny details that she’ll use to give her stories an authentic and unique feel. There’s a strong tradition of quality historical romance writing in the US, and I’m constantly impressed by the way the authors skillfully mix historical accuracy and characters with agency to create novels that feel credible but appeal to a 21st-century reader. I especially love stories that go beyond Dukes and governesses and gowns – some of my favorite historicals may have Almack’s and corsets, but they also have spies, soldiers, suspense, mysteries, politics, business-people, dancers, actresses, and social change.
I’m really looking forward to reading the 8 Ladies’ contribution to this excellent tradition – Justine’s Three Proposals, Elizabeth’s The Traitor, and Nancy’s new series – but while they write, edit, polish and pick new titles, I’d like to celebrate some of my favorite US historical romance writers and (if I’m lucky) collect some new recommendations.
Off the top of my head, how about: Continue reading
Hero and Villain?
Have you ever read or written a book with the bad guy (or girl) from a previous book as the hero or heroine? Did it work?
This week, I’ve been reading the historical Captive Hearts trilogy by new-to-me romance author Grace Burrowes. I really like her voice, and I’ll definitely read more of her books, but I’ve been thinking a lot about The Traitor, the second book in the series. The hero, Sebastian, is not just a bad guy, but was the torturer of Christian, the hero of The Captive, the first book. Given that The Captive is about the terrible physical and psychological damage done to Christian during his captivity and his battle to resume a normal life, making a hero of Sebastian is an ambitious undertaking.
Do I think Ms. Burrowes succeeded? Continue reading