Recently, I had the absolute pleasure of reading Behind These Doors by Jude Lucens. This Edwardian polyamorous romance is one of my favorite reads of 2019 thus far.
Here’s a bit of an open secret of many authors, me among them: when we’re deeply entrenched in own stories, it can be hard to wrap our heads around other books in the same genre. I tell you this because – as I finish writing my fourth historical romance in a row and am about to start the fifth – for a book in the genre to turn my head right now, it has to hit all my HEA buttons. And, boy howdy, Behind These Doors does that. Here are the top five reasons I fell in love with this book.
Exquisite historical detail, deftly rendered. The Honorable Aubrey Fanshawe and Lucien Saxby meet in London in 1906. These men are from different classes and lead very different lives. Part of their journey is observing and learning about these overt and nuanced differences in each other’s lives, and understanding the fraught nature of being bi/poly men in that time and place. Of course, as these characters make these observations, so does the reader, which immerses us in this specific time and place. Continue reading
Do you read contemporary romance? I’m playing catch-up here and I’d appreciate some help. Is the frothy, fluffy, funny love-story-only romantic comedy a popular Thing, and if so, do you enjoy it?
This month I’ve been on a contemporary romance reading mini-binge. Normally if I have time to read a new book I turn to recommendations from this blog, my bookworm friends, and other sources like the NPR Top 100 Romances list, pick the title that fits my mood, download (thanks, Amazon!), pour wine, make tea or run bath as appropriate, and dive in 🙂 .
The snag with that approach is that I’m usually looking for a change from the sub-genre I’m writing, so the title that fits my mood is rarely contemporary romance. I decided I was missing a trick, so I went on a buying spree (thanks, Amazon!), engaged kettle/corkscrew and dove in. I tried a couple of books by a successful but new-to-me author, and I’m not going to name names here because Continue reading
The Only Guarantee
I’m not a big fan of ‘true story’ dramas. I often find it difficult to lose myself in them because I’m busy wondering which parts are hard fact, which are poetic licence, and what evidence the writers might have excluded because it didn’t fit their narrative.
There’s a minor scene near the beginning of Philomena, one of this year’s Oscar nominees, which I’m pretty sure must have been poetic licence on the part of the writers, Steve Coogan and Jeff Pope. The movie is based on the true story of Philomena Lee’s search for the son she bore as an unmarried teenage mother in an Irish convent and who was sold by the nuns Continue reading