I started January with a new challenge—deciding how to respond to my very first professional content edit. I’d previously seen the excellent report the editor, Karen Dale Harris, wrote for Jeanne’s The Demon Always Wins, so I knew roughly what to expect. That didn’t mean I was ready for it.
The overview/summary report alone ran to 24 pages, and covered everything from subgenre choice and the implications of that, to characters, conflict, plot, plot holes, world-building, language choices, inconsistencies…you get the idea. I’ll just say that it’s not a comfortable experience to have one’s every last choice subjected to such detailed scrutiny. Continue reading