We’re all cheering for you as you pitch it right into the catcher’s mitt! (Image via Wikimedia Commons)
So, I was goofing around this morning and stumbled upon something that I didn’t know was a thing: the Twitter pitch contest. I have never participated, and I haven’t done enough research to recommend specific contests, but it sure caught my imagination!
The idea is to write a 140-character pitch (well, probably 130 after you include the contest hashtag and genre hashtag), put it out in the great wide Twitter-world, and then wait for agents and editors and fellow-writers to notice you during the span of the contest.
Wow. One hundred and thirty letters. Talk about your challenge! A good pitch would include your protagonist, your antagonist, your major plot complication and motivations. Could you do it? Why would you even try? Continue reading
Well, it’s nearly conference time (I’m likely en route as you read this…or getting ready, anyway) and I’m eagerly looking forward to RWA Nationals. In preparation for my agent appointment on Friday (and the inevitable question from strangers, “What are you working on?”), I’ve been honing my elevator pitch (also knows as “describe-your-book-in-about-45-seconds-or-less”).
The (dreaded) elevator pitch (also called a log line) is a short blurb about your book that you can spew out in the time it takes you to go from the 35th floor to the lobby, and that’s not talking like a radio announcer who does all the legal jargon at the end of a car commercial. Your elevator pitch should be short, descriptive, and include the basic GMC for your main character, as well as setting and, if you have time, what sets your book apart from others. Save the discussion of your other characters and subplots for when your new elevator friend invites you to join them for a drink at the bar.
While my pitch may not be perfect, I thought it’d be helpful to show you its evolution. (Ya’ll know I’m not afraid to show you my work in progress — see Continue reading