Nancy: Series Q&A With Mindy Klasky

Over the last several weeks, we’ve talked about reading and deconstructing series. We’ve looked at several examples, including Louise Penny’s Chief Inspector Gamache, Julia Quinn’s Bridgertons, and Tana French’s Dublin Murder Squad. This week, I talked to Mindy Klasky about the trials and triumphs of writing multiple series of her own. Her books range from light paranormal romance to traditional fantasy to category romance. To check out Mindy’s books for yourself, be sure to visit her website!


NH: You’ve written multiple series, including the Glasswrights, Jane Madison (witch), As You Wish (genie), and Diamond Brides books. Did all of these ideas start as series? Were any intended as stand-alone books, and if so, why did they then become series?

MK: The Glasswrights Series began as a stand-alone fantasy novel, The Glasswrights’ Apprentice. I wrote it, shopped it around to an agent, then started working on another book in a completely different fantasy world (so I wouldn’t have two dead books if the first one failed to sell to a publisher.) When the editor called to make my agent an offer, she said they wanted a sequel, and he told them I had two. (That was a lie; we’d never discussed sequels!) Continue reading

Mindy Klasky, Guest Blogger: Rapid Release Publishing or One Writer’s Tale of Madness

Hello all! Today it is my pleasure to introduce my good friend, fellow author, and all-around font of writing and publishing knowledge, Mindy Klasky. Please give Mindy a warm 8LW welcome, and in the comments, feel free to ask questions about romance and fantasy writing, as well as traditional, hybrid, and self-publishing options. Mindy will be stopping back throughout the day to answer. – Nancy

Klasky - Perfect Pitch

My, how things change… Way back in the Dark Ages, in 1998, I signed my first publishing contract. PenguinPutnam bought a fantasy novel, its sequel, and a book to be named later. That “book to be named later” was actually the novel I wrote while my agent was shopping around the one that sold – another fantasy, in a totally different world, with totally different characters.

I’ll spare you the long, boring discussion, but my agent, editor, and I invested hours trying to solve the problem of when to bring out that “book to be named later.” Conventional wisdom said no one would buy two books by the same author in a year, so we either needed to save the book till the end of the first series or use a pen name. (Ultimately, we did neither; we brought out a second Mindy Klasky book in a year. It flopped.)

Today, new authors would laugh uproariously at such a decision.

Today, the mantra is publish, publish fast, publish early. Just publish.

That mantra is chanted a thousand times louder and faster when the author in question is self-publishing. Amazon, the largest distributor of self-published fiction, relies on a complicated series of algorithms to promote its books. Continue reading