You’ve gotta see this! FKA twigs performs on The Tonight Show starring Jimmy Fallon, and the performance is so layered and wonderful – stay for the dancing at the end.
Everything works for me in this video. You have a stark setting, but one where every component has a use and meaning – the long piano that leads to the pole, the bare stage for three performers with minimal light. You have tone – echoed in the lighting, in her voice, and in the tone of the instruments. You have a gorgeous costume that strips down to reveal not a beautiful butterfly, but rather the chrysalis that was hiding inside. And you have the dancing – ethereal and effortless (but any kid who has done a pull-up on the monkey bars knows how much muscle control must go into that “effortless” look).
All of it serves to reinforce the story: a person has loved, and has just lost (and hasn’t quite accepted it yet, or is gathering strength to try again).
It’s National Novel Writing Month, and even if you aren’t playing along, maybe you can spare a little time to add some layering into your work. If you are doing NaNo, then it’s all good – every experiment is word-count! As writers, we work with words, and can’t depend on fancy camera angles or pretty pictures. But the magic of words does mean we can create setting, tone, costumes and anything in the realm of our imaginations. So, take a risk when writing today – let your writing take on a tinge of poetry, or the color of the characters’ feelings.
Don’t leave your readers confused! Give them the basic facts up front! (image via Wikimedia Commons)
So, this week I’ve been reading an anthology of gay fantasy romance, and it’s been really good so far. But, since I’m not writing a review but a craft analysis, I don’t really want to name names – I’m going to take a tiny quibble and blow it up large, and see if I can figure out how to avoid it.
The great thing about an anthology is that you get a variety of usually new writers with lots of beginnings all packed in one volume.
The first story had a rocky start. We started in a Chinatown, and I was ready to roll with that – but I didn’t have a good feel for the “when” of the story. Something about it made me think of a Chinatown from around the 1900s; there were no cell phones or Land Rovers to tell me otherwise, and my first clue that maybe we were in the modern world was a Continue reading
A horse is a horse, of course. But how much detail do we really need to be able to see a horse? (Via Wikimedia Commons)
I am wrestling with description this week, and will probably be doing so for much of next month (and perhaps for the rest of my writing life).
Description boils down to the very simple fact that you have to get images out of your head, and transfer them into your readers’ heads. Some writers are quite particular about drawing word pictures, and they want the reader to see almost exactly what they see (a bit quixotic, if you ask me).
Others, on the other hand, concentrate on getting the images out of their own heads, purging them, if you will, by writing them. They may not care if the writer’s image and the reader’s image match exactly. They should care, however, about whether or not Continue reading