Originally, this post was going to be about events that boost the turning points of a story, but then in walked Scarlett O’Hara. And I don’t know about you, but when Scarlett O’Hara walks into my brain, I pay attention.
Now, I think it’s well established that Scarlett O’Hara, the heroine of Gone With the Wind, is not just a racist, but an all-around sociopath. With a few possible exceptions (and they mostly die during the course of the book), if a human being does not advance Scarlett’s sexual and/or economic agendas, the person has no value in her eyes and may be trampled over at will. She treats everyone like objects.
That doesn’t make her a very likeable character, and one of the pieces of writing advice we often run across is, “Make your heroine likeable.” Very good, very serviceable advice. But Scarlett swooshes right past the writing rule, because rules don’t apply to Scarlett. Continue reading