You remember Achilles, right? He had that “heel” problem.
I read two books this past weekend (it seemed much more appealing than cleaning the garage). One was a keeper and the other probably not; one had a historical setting and the other was contemporary; but both had something in common: a realistically vulnerable hero.
First off was Lori Foster’s Under Pressure, book 1 in her Body Armour series. It was one of the freebies from the recent writing conference and, since I’d read and enjoyed her books before, I figured it would be a relaxing way to spend a Saturday afternoon.
Though I’m pretty sure I’m not the target reader for this particular series, there were a couple of elements that I thought worked really well. The first was the chemistry between the hero and heroine. It can be difficult to capture instant (or very quick) attraction between characters, but in brief brushstrokes the author did just that. The story features a resourceful heroine (Cat), a hunky bodyguard hero (Leese), and a nefarious Bad Guy threat.
As the story opens Continue reading
I have to admit it: I’m jealous. It looks like you ladies had a lot of fun on Writing Sprints Friday. Micki had a fabulous week of writing, with over 4,000 new words. And Jilly has come up not only with a new story, but a whole new world and possible trilogy.
Meanwhile, over here, I’ve been subsumed by the non-writing world and have only managed to peck around the edges of my Victorian romance series. And I’ve driven into some well-worn ditches while I’ve been at it.
For instance, I realized that once again I’m coddling my heroine. I can’t help it. I love my characters. I brought them into this world, and I feel responsible for them. I don’t want life to be hard for them. Which makes for hella boring fiction.
Character growth is fundamental to most fiction stories. And how do you make characters grow? Put them under pressure and watch how they react and adapt. And change. And grow into beautiful diamonds. As Chuck Wendig has written in The Kick-Ass Writer, “You as storyteller are a malevolent presence blocking the character’s bliss.”
But what if you’re not feeling the malevolence? What’s an overprotective writer to do? Continue reading