I’ve been struggling this past week about what it means to be a writer and how much time and treasure a person should sink into the process. Let me explain.
Several years ago, the company for which I freelanced forwarded a request to me from a person who was looking for editorial help on his fiction project. He’s a nice guy, my contact said, who has a story to tell.
The writer told me he’d written a draft, but it needed more work and he wasn’t sure how to go about it. It was 216 pages.
I asked him what he wanted me to do. A line or content edit? Write the transitions? Shape it? Continue reading
I’m not sure what sort of writer you are, but I’m definitely a big chunk writer. I need time to GET into my writing world and time to STAY in my writing world (preferably without interruptions).
With the kids home this summer (they’re 11 and 10), that just isn’t happening. So I’ve pretty much written off getting any substantive work done on my MS. Fortunately, their return-to-school date is August 1st (believe me, I’m counting down the days).
Instead of writing, I have been focusing on other things that are still career-centered, but make it a bit easier for me to
handle interruptions switch gears.
Mark Dawson’s Self-Publishing Formula (SPF) Course
For those of you unfamiliar, Mark Dawson is a British writer who has put together some very thorough and detailed web courses on the ins and outs of self-publishing. It’s pricey and there are limited times during the year when you can sign up, but I think it’s well worth it. In addition to the typical nuts-and-bolts of self-publishing, he gives you some good tactical and strategic advice, such as about maximizing newsletter sign-up (both from your ebooks and your website), pros and cons of going narrow or wide, and launch strategies. All of his courses are one-cost-for-life, so you’re eligible for all course updates in the future. Continue reading
Me, every writing day. Often, I am pushing the same damn boulder I’ve been pushing for weeks or months.
Last week, I had a conversation with a very creative person in a field other than writing. (Yes, it turns out there are creatives in the world who are not writers! I, too, was surprised.) We were discussing “living the dream.” Which is, apparently, what I, as a full-time writer, am doing. My creative friend, still working the day job, is not. And he had thoughts about that.
Actually, he has dreams of his own, which are wonderful things! He also has some misconceptions about what my day-to-day life of dream-living entails.
For those of you who have not met me IRL, I should explain that I have no poker face. Ergo, I could not hide my shock, dismay, and perhaps even amusement at his idea of my life. And while I have my own dreams of spending my writing days frolicking with unicorns and sliding down rainbows while the Best Story Ever Written magically appears on my computer screen, I’ve only had two, maybe three days tops, when unicorns have appeared. And those might or might not have involved whisky. That is to say, this dream gig is hard. Continue reading
Over the past 10 or so years, I’ve tried to get on the book club train three different times. Each time, I left the group after only one meeting. That choice wasn’t because I took issue with the people (they are readers, and therefore inherently lovely😊), their passion for the books, or even the wine. It was because I, as a writer, read so differently than non-writers that I was looking for things in a book discussion that the other members wouldn’t find interesting. Ergo, I had nothing to bring to the book club party (other than the wine, which is important! but not really the point).
The real problem I and many other writers have in joining book clubs is that we’re not looking for book discussions at all. We’re looking for book dissections. Writing craft deep-dives. Story geek deconstructions.
That’s why I’m so glad I agreed to join an online book club with one of my writing tribes. We are all long-time writers, with multiple years and manuscripts-worth of experience. Most of us either are or are in training to become book coaches who work with other writers on a regular and ongoing basis. That training has given us a common language and shared tools we use to evaluate writing. Last week, we had a one-hour online video chat to discuss our first group book, Where the Crawdads Sing by Delia Owens. Our discussion was wonky and geeky and made my little writer heart sing with joy.
Interestingly, though, when I found myself thinking about the book and our discussion in the days that followed, it was usually in the context of current writing career advice and “truths”, how Delia Owens ignored (intentionally or otherwise) much of it, and how none of it is applicable if it isn’t relevant to you and your process. Continue reading
Do you listen to audiobooks? What do you like or dislike about them?
I adore fiction, but my medium of choice is the written word. Dead tree or e-book, either works for me. I just love the way reading loads a story directly from the page into my brain, allowing me to imagine and interpret the author’s words in the way that’s most personally powerful to me.
I enjoy visual media like movies, TV, and the theater, but I’d choose a book over any of them, any day. My subconscious clearly wants to be the sole interpreter of the story. I guess it’s no surprise that I’ve never even thought of listening to an audiobook.
That may have to change. I’m planning to publish my debut novel, The Seeds of Power, later this year, followed by other stories in the same world and series. I’ll start with e-books and print, but then I think I should add audiobooks. Partly because people who know more than I say that audio is a fast-growing sector, less crowded and thus offering more discoverability to a new author. Mostly, if I’m honest, because it would be something new to learn and I think it would be cool 😉 . Continue reading
A few weeks ago, I finished the complete draft of my Victorian romance that will come out this fall. It’s a bit more than a first draft, having already been through first-round revisions along the way, but it was “the end for now,” and my coach asked me what I was doing to celebrate. Around the same time, I was answering a series of interview questions, and one of them was, “How do you celebrate when you finish writing a book?”
I didn’t have an answer for either of them.
The truth is, I don’t celebrate the end of a stage of the creative process so much as mourn it. And curling up in a blanket on the sofa, rewatching episodes of Dead to Me and Santa Clarita Diet, staring at the pile of TBR books I’ve been so anxious to read but now don’t have the energy to tackle, probably isn’t the answer they want to hear.
Taking Comfort in Community
As it turns out, the post-creativity slump isn’t all that unusual. When interviewed for an article on the Fast Company website, film writer/director Jeffery Lando talked about having post-movie depression. He captured one of the elements of my own creative journey. Continue reading
Last month at about this time, in my February accountability post, I circled back to my New Year New Writer approach for 2019, something-something zen, something-something balance. Okay, to quote our mentor Jenny Crusie, it’s a process, people!
I’m continuing to clear detritus, both in the business and personal spheres. I’m learning new things about the marketing side of writing, and reminding myself that I actually love learning new things when I allow my brain enough time and space to absorb the lessons. Still, the most important part of this whole process is getting the stories out of my head and onto the page, so here’s a summary of last month’s progress and this month’s plan. Continue reading