Over the past 10 or so years, I’ve tried to get on the book club train three different times. Each time, I left the group after only one meeting. That choice wasn’t because I took issue with the people (they are readers, and therefore inherently lovely😊), their passion for the books, or even the wine. It was because I, as a writer, read so differently than non-writers that I was looking for things in a book discussion that the other members wouldn’t find interesting. Ergo, I had nothing to bring to the book club party (other than the wine, which is important! but not really the point).
The real problem I and many other writers have in joining book clubs is that we’re not looking for book discussions at all. We’re looking for book dissections. Writing craft deep-dives. Story geek deconstructions.
That’s why I’m so glad I agreed to join an online book club with one of my writing tribes. We are all long-time writers, with multiple years and manuscripts-worth of experience. Most of us either are or are in training to become book coaches who work with other writers on a regular and ongoing basis. That training has given us a common language and shared tools we use to evaluate writing. Last week, we had a one-hour online video chat to discuss our first group book, Where the Crawdads Sing by Delia Owens. Our discussion was wonky and geeky and made my little writer heart sing with joy.
Interestingly, though, when I found myself thinking about the book and our discussion in the days that followed, it was usually in the context of current writing career advice and “truths”, how Delia Owens ignored (intentionally or otherwise) much of it, and how none of it is applicable if it isn’t relevant to you and your process. Continue reading