Jeanne: Making Choices

This morning I attempted, for the eleventieth time, to watch a romcom on Netflix. That seems like a simple enough task, but I found myself scrolling through menu after menu of movies and TV shows, weighing the way-too-many choices on offer. After a half-hour of roaming through myriad options, my husband emerged from his man-cave and suggested we watch the SNL episode we recorded the night before and my window of opportunity closed.

If I have a criticism about the way life is today versus the way it was when I was a younger (and I’m a Boomer, so you know I have opinions on that topic) it’s exactly this: life has become so overwhelmed with options that the act of making a choice eats up more time than the advantages of one selection over another justifies.

In the movie Wonderboys, Michael Douglas plays Grady Tripp, an English professor ten years on from his bestselling novel. The literary world is waiting for a follow-up, but no one, including his agent (Robert Downey, Jr.), has seen any sign of a new manuscript. Everyone assumes he has writer’s block.

Late in the movie, Tripp shows his star student Hannah (Katie Holmes) what he’s been working on all this time–a stack of manuscript pages approximately three feet high. After reading all 2500 pages, Hannah delivers her verdict:

You know how in class you’re always telling us that writers make choices? Even though your book is really beautiful–I mean, amazingly beautiful–it’s at times very detailed. You know, with the genealogies of everyone’s horses and the dental records. And I could be wrong but It reads in places like you really didn’t make any choices. At all.

Michael Chabon, Wonderboys, 2000

I’m having a similar problem with my current work-in-progress. I finally finished a first draft of The Demon Wore Stilettos but as I make my second draft revisions, I’m confronted with Too Many Choices. I think I need a method of prioritization. Options include:

  1. SIMPLIFY. Given that I have a history of throwing way too much unrelated stuff into my stories, simplify might be a good revision watchword.
  2. JOY. Taking a page from Marie Kondo’s book and trimming out things that don’t give me (and therefore probably won’t give my reader) joy, might also work.
  3. THEME–Now that I’m on my second draft, examining the theme(s) of the book and sticking with those could be a good guiding principle.

Of course, you can see what’s happening here. I’m not only having problems making choices, but problems making a choice on how to make choices. When I worked in IT, we used to call this “analysis paralysis”–when you get so caught up in the potential issues of a project that you don’t make forward progress.

Suggestions for working my way out of this morass welcome!

Michaeline: Learning from a Christmas Story for 1945

Barbara Stanwyck being kissed by Dennis Morgan in a Warner Bros Poster for Christmas in Connecticut
Rom-com for the holidays! Barbara Stanwyck is fabulous in Christmas in Connecticut. (Image via Wikipedia Commons)

Happy Boxing Day, everyone! It’s the second day of Christmas as well as Saturday, which means for a lot of people, it’s a day off and the hustle and bustle of the holiday season is starting to slow down.

Christmas isn’t such a big deal in Japan, although the merchants try to make it so. This year, most people worked; some kids got off school but only because Christmas fell on Friday this year and we lost the old emperor’s birthday in December now that the new emperor is on the throne. My kid and I had the day off, so I decided to make a Christmas feast on Christmas Day for the first time in, well, far too long.

To keep me company while I sliced and diced and boiled and roasted, I put on Christmas in Connecticut, a 1945 screwball comedy starring Barbara Stanwyck, Dennis Morgan and Sydney Greenstreet with Reginald Gardner and S.Z. Sakall. I wrote about it being my favorite Christmas movie back in 2017, and guess what? It still is!

Stanwyck plays Elizabeth Lane, a magazine writer who is scamming her publisher with fables of rural American womanhood – cooking, cleaning, shopping for antiques and even taking care of cattle. In reality, Elizabeth doesn’t

Continue reading

Jeanne: Why We Love Casablanca

casablanca-3328692_640Recently, I read an analysis of the romance in the movie Casablanca  “The Wrong Man Gave her the Right Feelings,” by Nancy Graham Holm. The thesis of her article is that, even though Rick and Ilsa’s love is considered to be one of the greatest onscreen romances in history, they don’t really love each other because they don’t really know each other.

As Holm points out, when Rick and Ilsa first meet in Paris, there’s no reason for her not to tell Rick about Victor. She believes her husband to be dead and herself a woman free to form a new commitment. So why wouldn’t she tell Rick that? Victor’s dead, so spilling the beans won’t harm him. She’s not traveling under an alias, so it’s not like she’s trying to keep herself, Victor’s widow, hidden. The real reason, of course, is to give the romance plot a jumping-off point.

(Note #1: This is far from Casablanca’s biggest plot hole. The entire movie is based on the search for missing “letters of transit,” signed by Charles de Gaulle, which would allow the bearer to pass through Nazi territory without being arrested. Charles de Gaulle was the leader of the French resistance and absolutely not a person whose signature would in any way impress a Nazi officer.)

(Note #2: There is no way my editor, Karen Dale Harris, would have ever allowed either of these plot holes to slip by.)

(Note #3: Not that she would have gotten a chance (even if she’d been alive when it was filmed, which she wasn’t) because the second half of the script for Casablanca was written while the first half was being filmed–and the entire filming took place between May 25 and August 3, 1942.)

Holm goes on to say that one of the reasons we don’t notice these flaws in the film is because it’s in black and white. Black and white films are low definition, requiring our brains to work harder and leaving us with less critical capacity.

Despite all these flaws, it’s still a great movie and a moving love story.

What’s your favorite love story?

Michille: Rom-Coms Making a Comeback

Ayesha at LastIn August of 2018, the New York Post published an article making the case for the rom-com to make a comeback, specifically referring to movies. It was the weekend after “Crazy Rich Asians” hit the big screen and not long after “Mamma Mia! Here We Go Again” came out. The author’s theory is the change in dating practices to one that is more digital than face-to-face. Millenials are more likely to sit at home watching Netflix and eating ice cream rather than going out and doing something social.

In July, 2019, the Houston Chronicle posted an article about the new age of romantic comedies (saw this on Jenny Crusie’s blog). The new age referred to here is about rom-com novels (and some movies) that are much more diverse than in the past. I haven’t read Ayesha at Last or The Wedding Date but I have read The Hating Game and The Kiss Quotient. Continue reading

Nancy: Echoes and reversals, beginnings and endings

Last week, a friend of mine, who happens to be a writer (quelle surprise!) posted in her Facebook group about being obsessed with beginnings and endings as she starts a new writing project. I’m in the same headspace right now for a couple of reasons. The first is that I’m about to embark on my own new writing project. The second is that my husband and I finally got to watch a proper ending for an HBO series we loved that died an unexpected death thirteen years ago.

We were Johnny-come-latelies to the prestige TV phenomenon of the series Deadwood. But after years of having the story recommended to us by trusted friends, we eventually watched the first episode. And we were hooked.

The very first scene* had a twist I saw coming but couldn’t quite believe would really happen. The first season introduced a community of characters who were sometimes repulsive but always magnetic, storylines that focused on character minutia but were simultaneously sweeping, dialogue that was vulgar while also Shakespearean. And as we watched the last episode of the third and final season, we realized with dismay what the show’s early fans had experienced in 2006–this amazing story, unexpectedly canceled after the third season had wrapped, never got a proper ending. Continue reading

Nancy: It’s My Birthday Too, Yeah

A fun thing is happening today for the first time in the five years we’ve been doing the 8LW blog: my birthday is falling on my blog posting day! And just to double the fun, this is also the birthday of another of the Eight Ladies (hint: her first name is Michaeline!). She’s celebrating a super-special birthday year, but I’ll let her tell you about that if she’s so inclined. Let’s just say that number is so last year for me.

To kick off my celebration, I thought I’d share a few of my current favorite multi-media things with you. I’ve been enjoying a long birthday weekend that has included indulging in all of these, some possibly more than once. Spoiler alert: some of them involve story.

Netflix and Awww: To All the Boys I’ve Loved Before

Have you heard about this teen rom-com on Netflix originals? It’s based on a YA book by Jenny Han. I don’t read much YA, so I hadn’t read this book or its two sequels before watching the movie – something that’s almost unheard of for me. But I’d heard good things about the movie and really wanted to settle in with some popcorn on Saturday night and watch a light-hearted romance. This movie gave me all the feels. And I loved the way it toed the line of some of the age-old tropes, but then didn’t go there. That kept it fresh, witty, and really respectful of teenage girls. When’s the last time you saw all that in a movie? Continue reading

Kay: Play It Again

 

Lumberjacks in Love (2008 production): Chase Stoeger, Doug Mancheski, Jeff Herbst, Jane McAnanney, Fred “Doc” Heide. Photographer: Len Villano

I’ve been on vacation to my home state of Wisconsin, and I spent almost a week in Door County, the area at the farthest end of the peninsula. It’s been a destination spot of locals for decades, thrilling the population with every form of cherries, cheese curds, ice cream, and beer, which everyone can wear off swimming and boating in the area’s waterways, as well as hiking through the county’s many parks and forests.

There is also a very fun musical theater group that performs in Peninsula State Park every summer.

Northern Sky Theater has written and produced at least one original play every year since 1988, and by now they have more than 50 plays in their repertoire. Continue reading

Michaeline: A Wrinkle in Time

I mentioned it last week, but I’ve been travelling in the States for a couple of weeks, and been absorbing story right through my skin!

(Official trailer from YouTube)

Thursday, I got to see A Wrinkle in Time. My mom mentioned that I loved the book as a kid, and I do seem to remember reading it more than once. None of the details stuck, but the essence? Oh, yeah. The movie brought back all those feelings, and those positive messages of love that the book gave me through my mixed-up tween and early teen years.

First, a quick review of the movie: Continue reading

Elizabeth: The Black Panther Effect

This is a poster for Black Panther. The poster art copyright is believed to belong to the distributor of the film, Walt Disney Studios Motion Pictures, the publisher, Marvel Studios, or the graphic artist. Its use in this post qualifies as fair use under the copyright law of the United States.

I did my part to help Marvel Studio’s Black Panther pass the $1 billion mark at the global box office by heading to an afternoon showing last Friday with a group of my co-workers.  The movie, coupled with a relaxing lunch, was a bit of a reward for recent months of hard work at the Day Job.  Suffice to say, it was an entertaining reward and it didn’t take any arm twisting to convince us to agree to a few hours away from the office.

Although I don’t go to the movies very often – I think Frozen was the last thing I saw on the big screen – my boss had seen the movie the week before and liked it so much she wanted us to have a chance to enjoy it too.

The co-writer and director of the movie, Ryan Coogler, is originally from Oakland, and it was kind of fun to pick out familiar landmarks in the movie scenes that were shot in the Oakland area.  While I couldn’t quite see my own office building, I did catch a glimpse of glowing-top of the local Tribune building a few blocks away.

The movie itself was visually stunning with its bustling cities, vast open country, and the futuristic Wakanda.  It included a lot of strong-willed, kick-ass women, a number of technologically Bond-esque moments, and some eerie parallels to current world politics and social issues.

Also, it was fun. Continue reading