My journey toward publication has been loaded with new learning opportunities. One of the biggest was choosing a content, or developmental, editor. This is both because this selection has the most impact on the quality of the book(s) I will put out, and because it’s the single biggest expense in the self-publishing journey.
The problem was, I didn’t really understand what a content editor would do. I knew they weren’t the same as a copy editor, who would look for problems with grammar and wording. Content editors work at a more macro level—they’re concerned with characters and plot.
But I still didn’t understand exactly what that meant.
Were they just a glorified (and paid) version of the critique group I’d had for so long? Or something more? What should I expect? How would I even begin to tell a good one from mediocre one or even a bad one? Continue reading
Hundreds of years ago, Shakespeare’s Romeo told Juliet, “What’s in a name? A rose by any other name would smell as sweet.” Well, roses and amorous suitors aside, turns out there is something to a name, especially when it comes to a writing career. Some weeks ago, I went on a quest determine the best name(s) forward for my planned multi-genre writing career.
For as long as those of you reading the blog have known me, I’ve been Nancy Hunter because that’s the name I chose a decade ago (!!!) when I had a book come out with a publisher. At the time, I worked in a very intense and Very Serious career, and needed to keep some daylight between it and my writing life. This was not a deep cover pen name, as co-workers with appropriate googling skills would occasionally uncover my ‘secret identity’. And HR departments always knew it, because I had to claim my intellectual property (IP) at the outset, lest the corporations employing me try to claim writing created on my own time as theirs. (Gotta love corporate America: for the price of your salary, they claim the right to monetize everything you say, do, think, and feel every minute of every day, please and thank you.)
Lo these many years later, I’ve left that corporate world. I swear! Girl Scout’s honor (yes, I was actually a Girl Scout, so you can trust me). And in addition to the freedom to make my own schedule and write whenever and where ever and whatever I see fit, I also now have the freedom to use my very own legal name. If I so choose… Continue reading
On Sunday, Justine posted about her decision to publish independently. One of the factors, she said, was watching me win the 2015 Golden Heart® for Paranormal Romance, only to fall short on getting a publishing contract.
Just for the record, I have to confess that I sent out a grand total of 12 queries. That included two requests for full manuscripts that I received via contests I entered in preparation for entering the Golden Heart®. From conversations with other GH finalists, I gather 12 queries constitutes a pretty lame effort. One of the 2015 group told me she made over 400 queries and/or pitches before she secured a contract.
Four. Hundred. Attempts.
By that standard, I gave up without a struggle. Continue reading
In my long-ago, faraway dreams (reality check: when I started writing in earnest 5 years ago), I had always intended to be traditionally published. In fact, if you looked at my goal wall displayed prominently in my office, the goal right smack in the middle (after writing a good book and before being a bestselling author) was “traditional publication” with logos of some of the big publishing houses. I was always so certain of it…publication, that is, even knowing much of that decision was out of my hands.
Over time, I became a lot less certain. Things started happening…fellow Eight Lady Jeanne won the Golden Heart (which used to be carte blanche in terms of getting an agent/editor), but no one picked her up (she has since decided to go indie. Yay Jeanne!). Last September, I went on a writer’s cruise and the editor expounded on the genres that she couldn’t buy…historicals being one of them. I was unnerved by that, but didn’t let it deter me. Continue reading
ISBN (International Standard Book Number) is the identifier you see on the backs of books. It allows each edition of a book to be uniquely identified.
If you’re traditionally published, the publisher takes care of this for you, but if you choose to self-publish, you have to handle it yourself.
Since I plan to start releasing books this summer, it’s time for me to acquire the necessary ISBN’s. In the U.S., there’s only one place that sells ISBN’s, an organization called Bowker.
So that makes it easy, right?
Not so fast. Here is the pricing structure for ISBNs:
Quantity: 1 Price: $ 125.00
Quantity: 10 Price: $ 295.00
Quantity 100: Price: $ 575.00
Quantity 1000: Price: $ 1000.00
I know what you’re thinking, because it’s exactly what I thought: huh? Continue reading
What a week it’s been in the romance writing world! In case you missed it, there is a huge uproar over #cockygate, or the trademark of the word “cocky” in a romance series.
Background: Faleena Hopkins, the author of several books that have the word “Cocky” in the title, recently received an official trademark of the word “cocky” in a romance series in both regular and stylized (meaning in a specific font) form from the US Trademark and Patent Office. You can view her filings here and here.
Ms. Hopkins’ stylized trademark of the word “cocky.”
Ms. Hopkins has threatened other writers whose book titles also contain the word “cocky” with a lawsuit if they don’t change their titles. She’s also reported some authors to Amazon, telling the Zon that the authors were in violation of her copyright. Amazon took down the offending books at once. Romance Writers of America has hired an IP attorney and has asked Amazon to reinstate the take downs pending a legal challenge (Amazon agreed), and former IP attorney-turned-writer Kevin Kneupper has come out of retirement to Continue reading
Years ago, when I started journalism classes at Indiana University, our professor told us this joke as a metaphor for interviews:
A tourist asks a professional gambler if there’s a roulette wheel in town.
“There’s one at the casino,” says the gambler, “but it’s crooked.”
“If it’s crooked, why do you play?” asks the tourist.
“It’s the only wheel in town,” says the gambler.
For self-published, debut authors with no established readership, Kindle Unlimited feels like it could be that roulette wheel. Continue reading