Like Elizabeth and her post yesterday about being Creativity Challenged, I find myself very challenged creatively. And although I swore I wouldn’t do another writing course until I got more words on the pages of my current WIP, I just signed up for one. Productivity Hacks for Writers by Jessica Brody on udemy. The tagline for it is: Simple Strategies and Proven Techniques to Be More Productive and Get the Most Out of Every Writing Day. I attended a breakout session at RWA (Atlanta, I think) that was excellent. She is an enthusiastic, endlessly positive, motivational speaker who believes wholeheartedly in her product. In fact, she reminds me of Steven Covey, except with a cheerleader’s energy and pompoms rather than Covey’s slow-paced, methodical delivery. Continue reading
Another Sunday, another silver lining. I wrote a few weeks ago about free lockdown streaming from London’s National Theatre. Now summer’s approaching in the UK and we’re heading into festival season. For the great and the good of the arts scene that means the Hay Festival of Literature & Arts, usually just called the Hay Festival. I’d say it’s our most famous literature festival. Apparently in 2001 Bill Clinton described it as “The Woodstock of the Mind.”
Normally the festival would take over the beautiful town of Hay-on-Wye, Wales. This year the event is virtual, and it’s all free. Hay Festival Digital runs until next Sunday, 31 May. The tagline is free live broadcasts and interactive Q&As from the world’s greatest writers and thinkers.
You can register to watch any of the sessions, and if you join live you can chat with fellow audience members and send questions to the presenter, just as you could if you attended the festival in person. If you’re in another time zone and the live stream isn’t convenient for you, the recorded sessions will be available for a further 24 hours.
I watched an interview yesterday morning called Dead Famous: An Unexpected History of Celebrity from Bronze Age to Silver Screen, by author and historian Greg Jenner, who also has a fabulous, quirky history podcast called You’re Dead To Me. The discussion was great fun and the technology worked well. I saw people from the US, Nigeria, and a number of European countries as well as the UK, chatting away and having a great time.
I’m definitely planning to catch another session or two. Continue reading
When the Eight Ladies were in class at McDaniel College years ago, our instructor, Jenny Crusie, used to talk about the Girls in the Attic. The Girls, she said, were the source of inspiration. What they handed down might be weird and totally not where your conscious mind wanted to go with your manuscript, but you should never disregard them.
(The Girls, by the way, were Jenny’s answer to Stephen King’s Boys in the Basement, who serve a similar purpose.)
Last week I started noodling around with another demon book. I have no idea why. I have one manuscript with 60,000 words written that’s waiting for me to come back and mold it into a readable story. And the next logical book in the demon series isn’t the one I started playing around with.
Clearly, following a straight line is not something I excel at. Continue reading
My elementary school gym teacher was fond of saying, “When the going gets tough, the tough get going.” I have a variation on that maxim: “When the writing gets tough, writers go on retreat.”
So here I am, very near the end of what has been a really long and painful road to The Demon Wore Stilettos, Book 3 of my Touched by a Demon series. What better way to cap this thing off than to hang out on Kiawah Island, off the coast of South Carolina, with three other writers? So that’s where I spent last week.
(Sadly, they weren’t Eight Ladies, but other writing friends I’ve made along the way.)
I was seriously, truly hoping to type “The End” before we left on Sunday, but that didn’t happen. What did happen was: Continue reading
This morning I went looking for the date I started on my current work-in-progress. The oldest document I found was a Scrivener project dated September of 2015 (?!). It says:
So the idea is that this book would contain three couples:
Lilith and Samael
Gabriel and Angela
Human1 and Human2
Each couple would have history that leaves them reluctant to re-engage with one another.
Lilith and Samael are charged with keeping Human1 and 2 from getting back together.
Gabriel and Angela are charged with getting Human1 and 2 back together.
The three stories play out against each other.
This, clearly, is just the kernel of an idea. I was still working on The Demon Always Wins at this point, and hadn’t even started The Demon’s in the Details, but I wanted to get the idea down on (electronic) paper before it got away. Continue reading
Novelists create characters. We give them names and personalities, families, backgrounds, and histories. We give them motivations and core values, often based on what they learned from their families or what’s important to their heritage, so they have reason to make the choices they do in our narratives.
Imagine my surprise when I learned from Ancestry that individual Americans actually know very little about their heritage.
Ancestry commissioned a survey from OnePoll, which canvassed 2,000 people in the United States. They found that many Americans don’t know or are unclear about their family origins.
- 25 percent don’t know from what countries their families came to the United States
- 40 percent of Americans polled are not certain from what country their last name originates
I had so much fun playing with Elizabeth’s Friday writing sprint words last week that I decided to do it all over again. So here’s a warm, sunny short story about a character who was featured in a newspaper, using the prompt words bikini, flirtation, blowtorch, confidential, parcel, baptism, excuse, dishonest, lump, warning, needle, heavenly, twisted, mindless, fake and sky.
The Naked Truth
Juliet Indigo left the shelter of her thatched bungalow and strolled down the beach to the water’s edge. It was hard to look nonchalant while wearing nothing but fake tan, but she gave it her best shot.
She’d brought a bikini for this mission, more in hope than expectation. It was hanging in the secure lockers provided at reception, together with her phone, her flip-flops, her toiletries and her travel bag. Undercover Island promised its visitors absolute privacy and enforced that guarantee by stripping them of all their possessions on arrival. Juliet had stalked, starkers, through a scanner before being escorted to her bungalow by an equally naked butler.
She was unclothed, unarmed and entirely incommunicado. The only upside was that Alpha Lima, the agent she’d been sent to meet, would be similarly stripped down. There would be no weapons, no backup, no cameras, no notebooks. No innocuous-looking parcel or fully loaded thumb drive. Just a one-time face-to-face no-witness exchange of super-ultra top-secret confidential information.
For her first solo mission, this was a baptism of fire. With a blowtorch.
A warning prickled the nape of her neck Continue reading
Yesterday, we took a look at our influences from the past with the “Who are Your Literary Parents” game. Today, let’s move our past into the future with a new game from Bitter Script Reader, who says: “Good news! Your next pilot’s been ordered to series before you’ve written it.
“The catch: it’s pre-cast with your celebrity crushes when you were 13. So how are you building a show around that?”
“OMG! They got Robin Williams! OK, it’s going to be a Continue reading
I recently went with an artist friend to a juried exhibit of altered books. The artists had taken books as a starting point and cut them apart! Glued them down! Stitched them up! They created a whole different set of artistic variables with the texts and covers to view the book elements in new ways, and I think, to investigate reading and the value of books.
I loved some of the pieces. One of my favorites was a wholly new creation—a wooden, hinged “book cover” encasing pages showing a series of graphics all done in the same color scheme, of a figure leaping a mountain in joy. There was a tree made with the fanned, sculpted pages of a book. Also a giant bug made of sculpted book pages with human legs. There was a rather unimaginative (in my view) framed sequence of Harlequin covers, one from each decade. There was a way-too-large stack of annotated titles, an homage to banned books, and another about piece about resistance that had thorned rods running through the pages. There were one or two pieces that I thought were a waste of a perfectly good book.
It was fun to see the exhibit with an artist and to get her take on the objects. And it was fun for me to see how an artist had interpreted, and altered, books like Mother Goose and Naked Lunch. (Here’s a link to a one-minute video showcasing the exhibit.)
Did it stimulate my thinking? Absolutely. Did it stimulate my creativity? Well, better ask me later, when I get that WIP finished.
What about you? Have you guys seen any exhibits lately that made you think about your writing life?
As regular readers of this blog know, I write fantasy. Stories of chivalry, rivalry, power, and love, set in a fantastic pre-industrial landscape. I love my weird, crazy world, but I’m currently working through developmental edits, and after some good discussions with my editor and beta readers (thanks, Jeanne and Kay!) I’m looking for ways to make my stories stronger. In particular, I’d like to find a few well-chosen details to amplify the fantastic feel of my world.
I write a very practical kind of fantasy. My stories have powerful jewels, miraculous golden beans, sinister talking rocks and uncanny, mystical monks, but all my otherworldly elements are solidly rooted in the everyday. I don’t have dragons or spells or magical woo-woo. What I need is to identify ordinary things that would be natural and useful in my world, but which would not be found in a regular historical story. Small details that don’t drive the plot but that would support and enrich the world of jewels, beans, rocks, monks etc.
This week, I think I found something useful hiding in plain sight. Do you know what apotropaic marks are? Me neither. Apparently they’re symbols or patterns scratched into the fabric of a building to keep witches out. They’re most commonly found in places that witches were thought likely to be able to enter a building, such as doors, windows, or chimneys. Continue reading