I see . . . I see . . . I see Humphrey Bogart in your future! “Here’s looking at you, kid.” (Slumps over.) Image via Wikipedia Commons
Yesterday, we took a look at our influences from the past with the “Who are Your Literary Parents” game. Today, let’s move our past into the future with a new game from Bitter Script Reader, who says: “Good news! Your next pilot’s been ordered to series before you’ve written it.
“The catch: it’s pre-cast with your celebrity crushes when you were 13. So how are you building a show around that?”
“OMG! They got Robin Williams! OK, it’s going to be a Continue reading
Most of us who come to this site are readers. We get a lot from books, starting with pleasure and comfort and ranging to education and creative stimulation.
I recently went with an artist friend to a juried exhibit of altered books. The artists had taken books as a starting point and cut them apart! Glued them down! Stitched them up! They created a whole different set of artistic variables with the texts and covers to view the book elements in new ways, and I think, to investigate reading and the value of books.
I loved some of the pieces. One of my favorites was a wholly new creation—a wooden, hinged “book cover” encasing pages showing a series of graphics all done in the same color scheme, of a figure leaping a mountain in joy. There was a tree made with the fanned, sculpted pages of a book. Also a giant bug made of sculpted book pages with human legs. There was a rather unimaginative (in my view) framed sequence of Harlequin covers, one from each decade. There was a way-too-large stack of annotated titles, an homage to banned books, and another about piece about resistance that had thorned rods running through the pages. There were one or two pieces that I thought were a waste of a perfectly good book.
(I apologize for the quality of these images: they’re enlarged screen grabs from YouTube, because I forgot my camera.)
It was fun to see the exhibit with an artist and to get her take on the objects. And it was fun for me to see how an artist had interpreted, and altered, books like Mother Goose and Naked Lunch. (Here’s a link to a one-minute video showcasing the exhibit.)
Did it stimulate my thinking? Absolutely. Did it stimulate my creativity? Well, better ask me later, when I get that WIP finished.
What about you? Have you guys seen any exhibits lately that made you think about your writing life?
I know it’s a holiday weekend and the sun’s shining, but is anyone up for a quick game of world-building “what if”?
As regular readers of this blog know, I write fantasy. Stories of chivalry, rivalry, power, and love, set in a fantastic pre-industrial landscape. I love my weird, crazy world, but I’m currently working through developmental edits, and after some good discussions with my editor and beta readers (thanks, Jeanne and Kay!) I’m looking for ways to make my stories stronger. In particular, I’d like to find a few well-chosen details to amplify the fantastic feel of my world.
I write a very practical kind of fantasy. My stories have powerful jewels, miraculous golden beans, sinister talking rocks and uncanny, mystical monks, but all my otherworldly elements are solidly rooted in the everyday. I don’t have dragons or spells or magical woo-woo. What I need is to identify ordinary things that would be natural and useful in my world, but which would not be found in a regular historical story. Small details that don’t drive the plot but that would support and enrich the world of jewels, beans, rocks, monks etc.
This week, I think I found something useful hiding in plain sight. Do you know what apotropaic marks are? Me neither. Apparently they’re symbols or patterns scratched into the fabric of a building to keep witches out. They’re most commonly found in places that witches were thought likely to be able to enter a building, such as doors, windows, or chimneys. Continue reading
Photo: The Harris Poll
I write in fits and starts. I wish I didn’t. I wish I wrote every day, butt in the chair, hands on the keyboard, etc, etc, every day, but I don’t. Sometimes, I do write a lot and think of my story and my series a lot. And sometimes I don’t. I am in a don’t period right now. Back in the November, NaNo gave me a huge boost in word count, creativity, and energy for my story that carried me through a month or two. Then life interrupted . . . I don’t need to go into details on my interruptions, you can fill in the blanks with yours. Continue reading
On good writing days, my Wizard of Oz door-hanger faces Glinda side out, welcoming all and sundry to celebrate the joyous explosion of creativity within:
On bad days, it’s 100% Elphaba.
Even the youngest of my grandchildren knows to stay away from that.
I have attention deficit disorder. I’ve had it my entire life, and because of a heart condition, I can’t take medication for it. ADD makes staying focused one any one task for a long period of time very difficult (unless I’m really excited about the task — like reading a book from my favorite author).
In the past, I’ve tried setting goals in order for me to get my writing done. But word count goals didn’t work for me, especially when I was editing. Did I really write 1,000 words? No idea…too much cutting/pasting/adding. Plus, there were some days Continue reading
Last month at about this time, in my February accountability post, I circled back to my New Year New Writer approach for 2019, something-something zen, something-something balance. Okay, to quote our mentor Jenny Crusie, it’s a process, people!
I’m continuing to clear detritus, both in the business and personal spheres. I’m learning new things about the marketing side of writing, and reminding myself that I actually love learning new things when I allow my brain enough time and space to absorb the lessons. Still, the most important part of this whole process is getting the stories out of my head and onto the page, so here’s a summary of last month’s progress and this month’s plan. Continue reading