Unknown weight lifter competing in the 2016 Olympics, held at Rio de Janeiro, Brazil. Photo by Jonas de Carvalho.
Along with others of the Ladies, I went to the RWA national conference in Orlando last week, and like everyone else, I seem to have returned home full of good ideas and better intentions. Elizabeth mentioned yesterday the workshop that Damon Suede presented and several of us attended, in which he described a technique for keeping your characters consistent throughout your manuscript: the power of a single verb. That was a great idea—and fun to see it in action. I’m revising with that in mind.
Several of the Ladies plan to embark (or have embarked) on an indie publishing career, and many of the workshops spoke to that. Resource ideas were everywhere. Continue reading
Last week’s RWA Conference in Orlando was a bit unusual for me. I’ve been to writing conferences before and I’ve even heard some of these same speakers speak before, but what was different this time around is that, when the end of the conference rolled around on Saturday afternoon, I was actually a little disappointed that it was all over.
That never happens.
A number of things made this conference a little different, not the least of which was that Michille and actually I got to meet one of our blog followers live and in person. Writing here on the blog can feel pretty anonymous, so it was very exciting to have a follower recognize us and seem so pleased to meet us. We only wish we had had the presence of mind to take a photo.
My primary reason for attending this year’s conference was to spend some quality time with the rest of the Eight Ladies, and we definitely did that. Over the course of almost five days together, there was plenty of time to talk story, to brainstorm, and to plot and plan. As I had hoped, that left me re-motivated to get back to work on my current mystery draft. It was also nice to get some confirmation that the story seems to be heading in the right direction, especially since I was starting to feel like I was losing my grasp on the plot.
Equally helpful Continue reading
I made it to my mostly annual homage to RWA for a hefty shot of fiction-writing craft. I, however, made it late as my flight was delayed for three hours. (Note to self – come a day early next year.) I missed the session I really wanted to hit today (Writing Emotion: Opening a Vein with Virginia Kantra) which was a double whammy because it isn’t a recorded session. But my first and only session for today was worth the price of admission. Michael Hauge’s Seducing Your Readers in Chapter 1 was exactly what I needed in the here and now for two reasons. The big reason is that I’m rewriting my first manuscript, which sucks because I wrote it before I had taken any craft classes. The bones are good, but it needs work and I’ve been working on the opening with some success. Today’s session gave me fabulous ideas and motivation and confirmation that I’m on the right track. Woot! The second smaller reason is that I’m reading an old Christina Dodd, and when I came back to the room tonight for some much needed down time (this conference is extremely intense), I picked it up and found a passage that is a good example of one of the things Hauge talked about. Continue reading
Have you made a major step change recently, in your writing, or your work, or any other part of your life, big or small?
Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.
Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.
If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading
RWA National Conference is fast approaching. So it’s time to start prepping for it. Of course, getting the conference schedule is a top priority and deciding which sessions to go to, which to avoid. I’m not pitching this year, or I’d be working on that. I suck at elevator pitches and tag/log line type descriptions so creating those is torture. In order to make sure I’m not forgetting anything, I googled to find some internet advice. Continue reading
“Pistol Pencil” by Liam Wolf, 2014. dribbble.com/neopeaks
I got derailed on my WIP this past week—a project turned up that needed my undivided attention, but until that happened, I’d been going great guns on my story. I was closing in on the finish, I know what needs to happen, I’m getting it down on paper. So that’s been great after that long period a while back when I’d write 500 words every day and delete 1,000. Those were dark times.
I want to finish this one soon; I have a third book planned in a trilogy and I’m ready to move on altogether, away from these characters, even though I haven’t finished book two and book three is barely in the planning stages. Until those three books are done, I’d decided that I’d take no more classes, attend no more conferences except RWA, and sign up for no more workshops. It’s not that I know everything, it’s that I don’t need another class to finish a book. I know what I have to do, and that’s sit down and write the dang thing. I have a couple of other books that have been patiently waiting to be written, all of which are a lot different than this current trilogy and include real FBI stuff, guns, and drama.
So you’ll understand my dilemma when I ran across the Writers’ Police Academy. It looks like fun. You get to drive fast! And shoot! And learn about forensics! And it looks like other fun stuff. And it’s in my home state, so I could visit people while I’m there. It’s filling up fast—they’re already booking into the overflow hotel. What do you think? Should I go?
Want to come with?
This summer, Romance Writers of America (RWA) will be holding their national conference in Orlando, Florida. I had initially intended to skip this conference, planning instead to be in studying in Oxford at that time. Regrettably however, the class I enrolled in was cancelled (gasp!) and my second choice – “Lovers and Libertines, Spinsters and Spendthrifts, Radicals and Reformers: The Treatment of Love and Money in Selected 19th Century Novels” – was full. Who’d have thought it?
Oxford’s loss was Orlando’s gain and I was able to register for the RWA conference and, amazingly, book a room at the conference hotel. This week the preliminary list of conference workshops was released, so I’ve been going through them, deciding which ones I want to attend so I can make the most of my conference investment. Continue reading