Let’s talk about unlikeable protagonists. A few weeks ago, Jeanne did. I thought about what she said, and I wasn’t sure I agreed with her. Since then, I’ve seen Can You Ever Forgive Me?
For those of you who don’t go to the movies or haven’t seen this one yet, Can You Ever Forgive Me? is based on the life of biographer Lee Israel, who reaches a dead end in her writing career after her agent rejects her latest project. Out of money and desperate to meet her rent and take her cat to the vet, the movie shows Israel first forging letters from famous, dead actors and writers and then stealing such letters from public libraries and research institutions and selling those, as well.
Movie-wise, I thought Melissa McCarthy did a terrific job playing Israel.
Character-wise, I didn’t like her. Continue reading
I finished my last book. I’ve revised it. It’s done.
Usually when that happens, I get a new idea. For a long time now, like clockwork, when the old book ends, the new one appears. It’s like the Girls were thinking about it while I was concentrating on other things, and when I’m ready, they send up the next demand, er, suggestion. The transition is flawless. The second I type “The End,” I can type “Chapter One.”
Not this time.
This time, I the Girls are on vacation, asleep, or, heaven forbid, dead.
I’ve got nothing.
There are ideas I could pursue, extensions of ideas I’ve already worked on. For example: Continue reading
The scene of the crime
This week I finished a subpar mystery and promptly wrote about it to fellow Lady Jilly. I spared nothing. I revealed clunky plot points, egregious characterizations, poorly constructed story arcs, and, perhaps worst of all, the irritating and unrewarding ending. Not only that, I said that had I known how the book ended, I wouldn’t have started it.
This discussion was all in the name of science, of course: I read bad books so others don’t have to.
But then the story broke about the Russian scientist stationed in Antarctica. You’ve probably read this one. Sergey Savitsky stabbed coworker Oleg Beloguzov in the heart for revealing the endings of books.
Okay, then! Continue reading
Building a book cover is a complex operation. Finding an image that conveys a suggestion of your plot as well as your book’s tone is difficult. Often several images are needed to get a background in, and depending on what your cover artist is willing to do, sometimes changing elements (like hair color) might not be possible. And then you have to hope that when your designer puts together the image(s) and type that they have the same vision you do.
This yellow cover for my book, Betting on Hope, was designed in 2011. I’ve always liked the image. The book takes place, as the cover shows, in Las Vegas. It’s a romance. It’s light-hearted—essentially a comedy—and while the book is not “about” card playing, poker is the story hook or perhaps theme by which I ramble on about found family and the strength of community.
So I like the expanse of yellow, which gets the mood and desert setting right; the insouciance of the figures; and the relegation of the small single playing card to the corner. I think the image is perfect. On the other hand, I’ve never liked the type treatment.
And that’s the result. Continue reading
From the Hot & Bothered podcast site
The first time I heard a feminist definition of a romance novel (female author writes a book celebrating values of love, compassion, community, and friendship, with a female protagonist who fights for what she wants and gets it), I was hooked. Those books were for me.
Can romance novels create a new feminist dynamic? I don’t know. But women and men read romances for the hope they offer, the comfort they give, and the values they aspire to. That’s good enough for me. And if they help create a new feminist dynamic, well, that’s just icing on the cake.
But there’s more! I recently read an article by Kimberly Winston in the Washington Post that suggests that religion can be reinvented through romance novels—that because of the themes and values romance novels showcase, they can be considered sacred texts. Holy bodice ripper, Batman! Continue reading
Dear readers, I need your help again. I have finished book three of my interminable trilogy about Phoebe and her steadfast beau. Brimming with triumph, I showed the final two chapters to my critique group last night, and…they didn’t like it.
Here’s their problem. After three books of Phoebe’s not being ready to get married, now finally at the end of book three, she’s ready. Our hero has a Plan, and she says, surprise me.
The surprise is taking all the book’s characters back to Las Vegas, the city where they met, where they will be married in the wedding chapel by the people who first employed Phoebe when she arrived in Vegas at the start of book one. (Now they live in Washington, D.C.) The final scene of book three is everybody just boarded the plane, ready to rest up from the vigorous trials of the day before and me tying up loose ends. Continue reading
Image from altitude-games.com
This morning I read the news from the Ladies, some of which was about the work various members are putting into their self-publishing efforts. I always find this awesome. And then I pitched an editor and an agent.
One of the slogans we had in the McDaniel course was how there are many roads to Oz. At the time, we were talking about writing process, but I think it applies to publishing process, too. The hard, cold fact is that I like to write; I dislike to market. I want to write; I don’t want to sell. I’m disciplined about writing; I’m not disciplined about publicity. One important factor: I don’t need to sell books to support myself. Another important factor: I don’t see why I should spend my time doing what I dislike.
I’ve self-published most but not all of my books, which gives me “control” and of course, I’m not sitting around waiting for agents and editors to validate my work. Continue reading