1. Rely on others
I’m not a very visual person, so when I got my teaser ads back from my publicity agency, I asked other more visually gifted friends to look over the ads. They came back with issues I never would have seen.
Takeaway: Rely on your posse. (And plan to be their posse in return when the time comes, with whatever you have to offer.)
Even though I’m not very visual, because I’m less emotionally invested in their stories than they are, there’s still a chance I’ll notice things they didn’t.
2. Give yourself more time than you think you could ever possibly need.
Once you get a final draft completed, it feels like most of your work should be done. While that’s probably true, there’s still way more to do than you realize, especially if you’re going to give your book a sendoff that will allow it to sell well.
3) Give yourself plenty of backup. Don’t rely on any one arena to promote your book.
I have a couple of friends with upcoming releases, one a debut. A couple of weeks ago their web host ghosted them. Their sites are down and they can’t get support from the hosting company.
4) Make sure you know your target market and the comps for your book.
After The Demon Always Wins came home with the Golden Heart, I kind of expected agents and editors, maybe not to flock to my door, but at least to be interested. So it was really disappointing when they weren’t.
Now, four years down the road, I understand why they weren’t. Paranormal romance wasn’t selling well at that time and the demon sub-genre was almost non-existent. When asked for comps for my book, I didn’t know of any. I wasn’t sure why it mattered, since the book wasn’t likely to wind up on physical shelf anywhere.
Then I tried running an Amazon ad. Amazon ads live and die by your keywords, and your keywords are mostly going to be a list of comp authors for your book.
These days I can list half a dozen off the top of my head.
5) Understand the conventions for your niche.
We’ve covered this in some detail in other posts, so I’m going to keep this brief, but my covers were all wrong. Very cool, but all wrong for romance. Your cover should not be weird and exotic and intriguing. It should be similar to the covers that sell those comps we just talked about.
6) Recognize that you don’t know what you don’t know.
There’s a learning curve to the book promotion game.
You can bypass some of it by hiring people to do some of it for you, but the fact that you don’t know how to it very likely means you won’t know how to hire the right people either.
You can bypass some of it by reading books and taking courses in book promotion. I read some books, but I didn’t take the courses. I have a friend who did. Her first book will debut later this year, and I’m waiting to see how well she does before passing judgment on the value of the course.
I may be the friend in question, and whilst it’s true I’ve bought the courses, I can’t honestly say I’ve absorbed all the teaching and formulated a killer launch plan. I don’t think it would be fair on the course provider to judge him by my results. Some of his students are doing brilliantly. I’ll be glad if I can get my book to market.
I’ve learned a lot from your experiences, and from the course lectures, but I suspect there are some things I can only learn by doing. I’m hoping to have my ducks in a row by the second book (next year, fingers crossed). Or at least to make smarter mistakes 😉 .