Today concludes the annual conference of the Romance Writers of America, in which the writers and publishers of romance fiction come together to discuss the latest trends in the romance publishing industry. It’s a time of celebration: goals achieved, books noted, writers and publishers rewarded. It’s a time to celebrate creativity.
Which was why I was particularly disheartened to read a couple of stories this weekend about plagiarism and the theft of creative ideas.
The big one is that there’s been a discussion that the plot and characters of Disney’s The Lion King were ripped off from Kimba the White Lion, a Japanese anime series created by Osamu Tezuka that NBC syndicated in the United States in the 1960s. The charges of appropriation, dating back to the film’s first release in 1994, clouded the American film’s release back then and have returned with the latest remake. According to the story in the Washington Post, the Japanese anime tradition is one of borrowing, but it’s the lack of credit or acknowledgement that is disturbing.
The second article is an op-ed in the LA Times by Douglas Preston. He and Lincoln Child write a thriller series under the name “Preston & Child.” He describes how plagiarists using the name “Preston Child” have ripped off their books, and how other scams are stealing copyright and income from hardworking authors. (According to Preston, author incomes have dropped 42% in the last 10 years.) In fact, I’ve noticed this Preston/Child discrepancy myself on Amazon.
Nothing Preston says in the op-ed is exactly new to the writing community, but he makes points well worth remembering.
And raises a question, as well: Aren’t there enough good ideas to go around? I think the folks at the RWA conference would think so.